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The Proposal's Writer and Director Talk Comedy

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood June 12, 2009 at 7:36AM

The rom-com seems doomed by studio formulas and misogynistic concepts like Bride Wars, which I refused to go see. Thank God for Judd Apatow and John Hamburg, but still, their bromances are aimed mostly at men. So when a fresh chick flick comes along that isn't a dumbed down vehicle for Kate Hudson, I cheer. Written on spec over several years by production exec-turned-scripter Peter Chiarelli and directed by choreographer-turned-helmer Anne Fletcher (Step Up, 27 Dresses), The Proposal stars Sandra Bullock, who pokes fun at her age and credibly falls for a younger man without turning shrill and brittle. Her chemistry with Reynolds, who she's known for years off-set, is palpable. Chiarelli and Fletcher explain how they made a smart studio rom-com, and how the Writers' Strike may have been a good thing for their movie, which opens June 19.
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The rom-com seems doomed by studio formulas and misogynistic concepts like Bride Wars, which I refused to go see. Thank God for Judd Apatow and John Hamburg, but still, their bromances are aimed mostly at men. So when a fresh chick flick comes along that isn't a dumbed down vehicle for Kate Hudson, I cheer. Written on spec over several years by production exec-turned-scripter Peter Chiarelli and directed by choreographer-turned-helmer Anne Fletcher (Step Up, 27 Dresses), The Proposal stars Sandra Bullock, who pokes fun at her age and credibly falls for a younger man without turning shrill and brittle. Her chemistry with Reynolds, who she's known for years off-set, is palpable. Chiarelli and Fletcher explain how they made a smart studio rom-com, and how the Writers' Strike may have been a good thing for their movie, which opens June 19.

Here's the trailer:

UPDATE: And here's USA Today's excellent Bullock interview.


This article is related to: In Production, Stuck In Love, Headliners, Genres, comedy, Sandra Bullock, Screenwriters


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Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.