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This Weekend, Avoid 'Expendables,' See Films by Catherine Breillat, Philippe Garrel & Michael Winterbottom Instead

Photo of Ryan Lattanzio By Ryan Lattanzio | TOH! August 15, 2014 at 5:29PM

"The Expendables 3" finally crashed into theaters everywhere today. Will early online piracy hurt this tired reunion of old action fogies? Who cares, because there are better ways to spend your movie weekend.
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'The Giver'
'The Giver'

"The Expendables 3" finally crashed into theaters everywhere today. Will early online piracy hurt this tired reunion of old action fogies? Who cares, because there are better ways to spend your movie weekend.

In select cities, two French auteurs deliver their finest, most introspective works in years: Catherine Breillat's "Abuse of Weakness" dwells in the dark power plays and disabilities of her own life, with Isabelle Huppert giving, as always, a shattering performance. And in Philippe Garrel's rueful "Jealousy," Parisian would-be bohemians (one is played by his son, Louis Garrel) are now parents in their thirties. This lovely black-and-white movie, at a lean, clean 77 minutes, finds beauty in banality.

American festival indies also wend their way to art-houses, including the whimsical comedy "Frank" starring Michael Fassbender in a giant fake head, and zombie-rom-com "Life After Beth," with Dane DeHaan and Aubrey Plaza. If that's not your bag, bask in the summery "Trip To Italy," which reunites bantering road buddies Steve Coogan and Rob Brydon on yet another food tour.

Then there's "The Giver," a YA sci-fi franchise hopeful that, in spite of passionate producer and star Jeff Bridges, may not click with audiences who have been-there, done-that. But those of us who attended elementary and middle school in the 90s remember the Lois Lowry dystopian novel vividly, so, potentially, the nostalgia factor could work in the film's favor. 

Trailers and reviews below.



Abuse of Weakness

Directed by Catherine Breillat, France, Strand Releasing
Starring Isabelle Huppert, Kool Shen
86% Fresh | Village Voice: "Breillat's impressive film is a study of bodies and how we carry them, and it explores the manner in which weakness seeks out strength on an almost primal level, bypassing the higher modes of human thought."
Read our interview with Isabelle Huppert



Jealousy

Directed by Philippe Garrel, France, DistriB Films
Starring Louis Garrel, Anna Mouglalis
85% Fresh | The New York Times: "In a brief 77 minutes, 'Jealousy' provides a remarkably full - and also an intriguingly partial - portrait of a group of struggling artists as no-longer-entirely-young men and women."



The Giver

Directed by Phillip Noyce, USA, The Weinstein Company
Starring Brenton Thwaites, Jeff Bridges, Meryl Streep, Alexander Skarsgard, Katie Holmes, Odeya Rush, Taylor Swift
30% Fresh | Salon.com: "The truth is that it's dim, perfunctory and wide-eyed, at least in every moment when Bridges isn't on the screen."

Frank
Directed by Lenny Abrahamson, USA, Magnolia Pictures
Starring Michael Fassbender, Domhnall Gleeson, Maggie Gyllenhaal, Scoot McNairy
89% Fresh | AV Club: "What chutzpah it takes to hire one of the world's most recognizable movie stars and then render him completely unrecognizable."
Read our review


This article is related to: Abuse of Weakness, The Giver, Dinosaur 13, Jealousy, Frank, Life After Beth, Reviews


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Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.