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This is What Money Looks Like II: Hollywood's Best-Paid Actors; DiCaprio King of World

Thompson on Hollywood By Sophia Savage | Thompson on Hollywood August 2, 2011 at 7:13AM

In the last year (May 2010 through May 2011) the top-earning actors (and sometime producers) were Leonardo DiCaprio ($77 million), Johnny Depp ($50 million), Adam Sandler ($40 million), Will Smith ($36 Million), Tom Hanks ($35 million), Ben Stiller ($34 Million), Robert Downey Jr. ($31 million), Mark Wahlberg ($28 million), Tim Allen ($22 million), Tom Cruise ($22 million), Jim Carrey ($20 million), Daniel Craig ($20 million), Robert Pattinson ($20 million), Brad Pitt ($20 million) and Matt Damon ($18 million).
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Thompson on Hollywood


In the last year (May 2010 through May 2011) the top-earning actors (and sometime producers) were Leonardo DiCaprio ($77 million), Johnny Depp ($50 million), Adam Sandler ($40 million), Will Smith ($36 Million), Tom Hanks ($35 million), Ben Stiller ($34 Million), Robert Downey Jr. ($31 million), Mark Wahlberg ($28 million), Tim Allen ($22 million), Tom Cruise ($22 million), Jim Carrey ($20 million), Daniel Craig ($20 million), Robert Pattinson ($20 million), Brad Pitt ($20 million) and Matt Damon ($18 million).

These actors mark a significant range of age, experience and quality of work. Pattinson is the youngest at 25 (although his Twilight character, vampire Edward Cullen, is over 100). Tim Allen is the oldest at 58 (but Buzz Lightyear is timeless). Forbes has the complete breakdown on how they brought in the dough.

Also check out the highest earner Actresses.

This article is related to: Headliners, Hollywood, Celebs, Media, Will Smith, Brad Pitt, Robert Downey, Jr.


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.