I got a kick out of the roundtable's obvious deference for veteran Weir. They all recognized that they belonged to a club of filmmakers who killed themselves to get their films made, no matter what. Cianfrance worked as a documentarian and commercial director for 12 years before he made his film--and had to give back his salary. Weir raised financing overseas. Cholodenko had to make her film for $4 million after nurturing her script for five years. Russell shot The Fighter for $20 million in 33 days. Aronofsky had a tougher time financing Black Swan after The Wrestler. The indies have shrunk; there were no studios represented at the table. "We may have something the audience wants," said Weir. "It's how to get it to them." Hooper summed up the conversation with the observation: "The risk is being put back on the filmmaker. We are having to take more risk by working this way."
Left out of the discussion, for whatever geographical reason: Danny Boyle, Chris Nolan, the Coens, David Fincher, Mike Leigh, Debra Granik, Ben Affleck.