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'To the Wonder' Q & A: Olga Kurylenko on Goosebumps, Bruises, Malick and Affleck Fights on Cutting Room Floor

by Matt Mueller
April 4, 2013 1:58 PM
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Joel Ryan / AP "To the Wonder' producer Nicolas Gonda, Romina Mondello, Olga Kurylenko and producer Sarah Green

There's not much dialogue in the film. Was it difficult creating a character who speaks so little?

It's difficult to express yourself with your body, but therefore interesting. It didn't bother me, I loved it. And we did have text. He would give us pages in the morning. Sometimes it would be like 30 pages and other actors would be shocked: "I can't learn all that, we're shooting in an hour!" He'd say, "You don't have to." It never stressed me because I knew he didn't need that. It wasn't about learning the words, it was about absorbing the essence like a sponge.

Didn't you ever find it frustrating?

Sometimes we would start filming and I would feel the urge to speak and he would be like, "Shhh! Don't say it." I'd say, "But you gave me all these things..." and he'd go, "The silence is so much better." That's why his movies are the way they are. He loves you to think it rather than say it.

Do you have a favorite scene in "To The Wonder"?

My favorite scene is cut! And it's not one, there were like 10 of them. I did a lot of confession scenes with Javier. That was dialogue! Terry didn't mind me speaking then! I loved those scenes. And there were more fights with Ben, horrible, terrifying fight scenes. Apparently there was a version where it was filled with those and they tested it and it just terrified the audience. It was too hard, they had to make it softer. When we had fights, I remember I had bruises on my wrists. From what we shot, it was clear to me that Marina was meant to be quite hysterical; if he'd kept them all in, it would have been a very different view on this woman.

Malick is a mystery to most people because he never does interviews. How did you find him?

Warm, caring, sweet. He told me I was like his daughter. I would ask the First A.D., "What are we doing today?" and he'd say, "I don't know, go ask your Dad." Everybody was making a joke of it because he was so protective of me.


  • | April 14, 2013 9:44 PMReply

    I really like your article, hope to try harder, I will always support you.I hope you continue to creation, I have paid attention to you.

  • Free | April 4, 2013 8:45 AMReply

    Given his reputation for cutting people out and/or producing final products that are nothing like what he originally suggested, I'm always surprised Malick is able to persuade people to be in his movies.

  • PL | April 4, 2013 6:19 AMReply

    I wonder why Malick wanted to portray a woman he was married to as someone hysterical... Maybe she was, or not... But why do that? It 's not very classy to do something like that, especially as apparently she's dead now. Was it necessary for him to go that far in shooting scenes of her being hysterical?

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