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Toronto Deals: Art of the Steal, Lebanon, Get Low

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood September 21, 2009 at 4:19AM

The smaller Toronto deals are starting to flow. In addition to IFC's pick-up of Valhalla Rising and Sony Worldwide Acquisition Group's genre-film buy Defendor, Sony Pictures Classics has acquired U.S. rights to Samuel Maoz's Venice Golden Lion winner Lebanon, which is expected to be Israel's submission for the Oscars. The movie is based on Maoz's experience as a tank driver. (SPC acquired Israel's Waltz with Bashir last year.) And Sundance Selects, IFC-owner Rainbow Media's other theatrical and VOD label, acquired North American rights to Don Argott’s art-world documentary The Art of the Steal, set for 2010 theatrical release. Both films are set to play the NYFF.
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Thompson on Hollywood
Thompson on Hollywood

The smaller Toronto deals are starting to flow. In addition to IFC's pick-up of Valhalla Rising and Sony Worldwide Acquisition Group's genre-film buy Defendor, Sony Pictures Classics has acquired U.S. rights to Samuel Maoz's Venice Golden Lion winner Lebanon, which is expected to be Israel's submission for the Oscars. The movie is based on Maoz's experience as a tank driver. (SPC acquired Israel's Waltz with Bashir last year.) And Sundance Selects, IFC-owner Rainbow Media's other theatrical and VOD label, acquired North American rights to Don Argott’s art-world documentary The Art of the Steal, set for 2010 theatrical release. Both films are set to play the NYFF.

UPDATE: SPC has also acquired North American rights to Get Low, starring Robert Duvall.

This article is related to: Festivals, Independents, Studios, Toronto, Sony/Screen Gems/Sony Pictures Classics


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.