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Trailer Watch: Will Voyage of the Dawn Treader Be the Best Narnia?

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood October 7, 2010 at 6:55AM

I am not a fan of the Chronicles of Narnia movies. Walden Media's $180 million The Lion the Witch and the Wardrobe was a huge global hit ($748 million) while the $225 million Prince Caspian, based on the weakest book in the series, was a relative disappointment that did well enough overseas ($419.5 million worldwide) to warrant a sequel. From age nine, I reread the C.S. Lewis Narnia books avidly, none more often than The Voyage of the Dawn Treader, which is the best page-turning adventure tale of the lot, complete with seafaring travels, dragon, flamboyant talking mouse Reepicheep, the spirituality of the godly lion Aslan and of course a voyage to the end of the world. So there's faint hope that this one might turn out better than the past two. Faint.
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I am not a fan of the Chronicles of Narnia movies. Walden Media's $180 million The Lion the Witch and the Wardrobe was a huge global hit ($748 million) while the $225 million Prince Caspian, based on the weakest book in the series, was a relative disappointment that did well enough overseas ($419.5 million worldwide) to warrant a sequel. From age nine, I reread the C.S. Lewis Narnia books avidly, none more often than The Voyage of the Dawn Treader, which is the best page-turning adventure tale of the lot, complete with seafaring travels, dragon, flamboyant talking mouse Reepicheep, the spirituality of the godly lion Aslan and of course a voyage to the end of the world. So there's faint hope that this one might turn out better than the past two. Faint.

This article is related to: Franchises, Genres, Video, Narnia, Sequel, Trailers


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Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.