Click to Skip Ad
Closing in...
WATCH: Super Bowl Movie Spots and Star-Studded Ads (UPDATED) WATCH: Super Bowl Movie Spots and Star-Studded Ads (UPDATED) Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Why 'Star Wars: The Force Awakens' Should Win the VFX Oscar Why 'Star Wars: The Force Awakens' Should Win the VFX Oscar Why George Miller Should Win DGA Award and Directing Oscar for 'Mad Max: Fury Road' Why George Miller Should Win DGA Award and Directing Oscar for 'Mad Max: Fury Road' Universal Rejiggers Its Specialty Division Again Universal Rejiggers Its Specialty Division Again How Sony Pictures Classics Picked Up Four Pictures at Sundance How Sony Pictures Classics Picked Up Four Pictures at Sundance TOH! Ranks the Films of the Coen Brothers from Worst to Best TOH! Ranks the Films of the Coen Brothers from Worst to Best Sundance Video: How Screenwriter and Hollywood Exec James Schamus Made his Directing Debut with 'Indignation' Sundance Video: How Screenwriter and Hollywood Exec James Schamus Made his Directing Debut with 'Indignation' How the 'The People v. O.J. Simpson' Writers Found 6 Characters for their 'Shakespearean High-Wire Act' How the 'The People v. O.J. Simpson' Writers Found 6 Characters for their 'Shakespearean High-Wire Act' WATCH: Josh Brolin on His 'Christ-Like' Character in the Coen Brothers' 'Hail, Caesar!' (EXCLUSIVE) WATCH: Josh Brolin on His 'Christ-Like' Character in the Coen Brothers' 'Hail, Caesar!' (EXCLUSIVE) How 'American Crime Story' Explains Our Obsession with the O.J. Simpson Trial How 'American Crime Story' Explains Our Obsession with the O.J. Simpson Trial Arthouse Audit: Natalie Portman Indie 'Jane Got a Gun' Flops, Oscar Shorts and 'Ip Man 3' Soar Arthouse Audit: Natalie Portman Indie 'Jane Got a Gun' Flops, Oscar Shorts and 'Ip Man 3' Soar The Oscars' Year of the Crucible: Evaluating the Nominees for Best Cinematography The Oscars' Year of the Crucible: Evaluating the Nominees for Best Cinematography Oscar Predictions 2016 Oscar Predictions 2016 WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How Quentin Tarantino Resurrected Ultra Panavision 70 for 'The Hateful Eight' How Quentin Tarantino Resurrected Ultra Panavision 70 for 'The Hateful Eight'

Trailers from Hell: John Badham on Coens' Grim Masterpiece 'No Country for Old Men'

Photo of Trailers From Hell By Trailers From Hell | Thompson on Hollywood September 21, 2012 at 2:26PM

"Coen Brothers Week!" concludes at Trailers from Hell with director John Badham introducing the brothers' 2007 Oscar winner and near-perfect, bleak-as-hell noir Western "No Country for Old Men."
3
Javier Bardem in "No Country for Old Men"
Javier Bardem in "No Country for Old Men"

"Coen Brothers Week!" concludes at Trailers from Hell with director John Badham introducing the brothers' 2007 Oscar winner and near-perfect, bleak-as-hell noir Western "No Country for Old Men."

Javier Bardem enters the pantheon of formidable movie monsters as the implacable killing machine on the prowl for his $2 million. Not since Robert Mitchum in Night of the Hunter has an actor made evil so unsettling. Widely acclaimed as one of the most accomplished films of its era; nonetheless, some audiences found it impenetrable. The Coen Bros. take liberties with Cormac McCarthy's novel, particularly at the end, but their Oscar-winner found broad acceptance despite its pervasive air of bleak tragedy.

This article is related to: Trailers, Trailers from Hell, Video, No Country For Old Men, Joel Coen, Ethan Coen


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.