Click to Skip Ad
Closing in...
Specialty Box Office: 'Kurt Cobain: Montage of Heck' Primes HBO Pump, Russell Crowe's 'Water Diviner' Is Spotty Specialty Box Office: 'Kurt Cobain: Montage of Heck' Primes HBO Pump, Russell Crowe's 'Water Diviner' Is Spotty Friday Box Office: 'Adaline' Bumps 'Furious' for a Day; 'Kurt Cobain' Big in 3 Theaters Friday Box Office: 'Adaline' Bumps 'Furious' for a Day; 'Kurt Cobain' Big in 3 Theaters Remembering Film Critic Richard Corliss (1944-2015) Remembering Film Critic Richard Corliss (1944-2015) Cannes: Denis Villeneuve Says Drug War Film 'Sicario' Is "Very Dark" and "Quite Violent" Cannes: Denis Villeneuve Says Drug War Film 'Sicario' Is "Very Dark" and "Quite Violent" How Do You Solve a Problem Like Erika? Universal Hires Husband to Write 'Fifty Shades Darker' How Do You Solve a Problem Like Erika? Universal Hires Husband to Write 'Fifty Shades Darker' 'Age of Ultron' Director Joss Whedon on Self-Doubt and Why It's His 'Rio Bravo' 'Age of Ultron' Director Joss Whedon on Self-Doubt and Why It's His 'Rio Bravo' Watch: Julia Louis-Dreyfus, Tina Fey, Patricia Arquette and Amy Schumer Hilariously Slam Hollywood Sexism (NSFW) Watch: Julia Louis-Dreyfus, Tina Fey, Patricia Arquette and Amy Schumer Hilariously Slam Hollywood Sexism (NSFW) CinemaCon: How Tom Cruise Stole the Paramount Show CinemaCon: How Tom Cruise Stole the Paramount Show Meet the Director of 'Tangerines,' the 2015 Dark Horse Oscar Nominee You Missed (Exclusive Video) Meet the Director of 'Tangerines,' the 2015 Dark Horse Oscar Nominee You Missed (Exclusive Video) LA Film Fest Unveils Horror Slate, More World Premieres, Zoe Cassavetes Film LA Film Fest Unveils Horror Slate, More World Premieres, Zoe Cassavetes Film Cannes: Directors' Fortnight Lines Up Vet Auteurs and American Indies Cannes: Directors' Fortnight Lines Up Vet Auteurs and American Indies Joe Wright's 'Pan' Gets Fall Release Date: Good News or Bad News? Joe Wright's 'Pan' Gets Fall Release Date: Good News or Bad News? Seeing Ryan Gosling's 'Lost River' Through Composer Johnny Jewel's Eyes (STREAM SOUNDTRACK) Seeing Ryan Gosling's 'Lost River' Through Composer Johnny Jewel's Eyes (STREAM SOUNDTRACK) 3 Women Genre Directors Get SF Film Society Fellowships 3 Women Genre Directors Get SF Film Society Fellowships Here's Why Jon Stewart Quit 'The Daily Show' Here's Why Jon Stewart Quit 'The Daily Show' Watch: From Tarantino to Cronenberg, Great Directors Talk the Art and Anxiety of Filmmaking Watch: From Tarantino to Cronenberg, Great Directors Talk the Art and Anxiety of Filmmaking Specialty Box Office: 'True Story' and 'Child 44' Flop as 'Ex Machina' Lures Audiences Specialty Box Office: 'True Story' and 'Child 44' Flop as 'Ex Machina' Lures Audiences 10 Films Booed at Cannes That Every Cinephile Should See 10 Films Booed at Cannes That Every Cinephile Should See 5 Things You Didn't Know About Lars von Trier, Who's Going Back to Work 5 Things You Didn't Know About Lars von Trier, Who's Going Back to Work 7 Things to Learn from 'Mad Men' Creator Matthew Weiner About Compelling Storytelling (EXCLUSIVE VIDEO) 7 Things to Learn from 'Mad Men' Creator Matthew Weiner About Compelling Storytelling (EXCLUSIVE VIDEO)

Immersed in Movies: Transforming 'The Wizard of Oz' in 3-D for IMAX (VIDEO)

Photo of Bill Desowitz By Bill Desowitz | Thompson on Hollywood September 11, 2013 at 2:30PM

"The Wizard of Oz" gets a 3-D makeover for IMAX and relaunches the renovated TCL Chinese Theater for a one-week engagement September 20. Three scenes were previewed to press, and it was a nice sampling: the introduction of the Tin Man, the storming of the Wicked Witch's castle, and the climactic castle chase.
4
The Wizard of Oz

Watching a glimpse of "The Wizard of Oz" in IMAX 3D earlier this week at the reconstructed Chinese Theater took some adjusting. Talk about a hybrid of the old and new (the 3-D was a bit of an eye-opener, though, and wasn't at all distracting). Then again, there's always been something hyper-real about three-strip Technicolor, and transforming Sid Grauman's ornate movie palace into a more immersive IMAX experience by the new TCL ownership is perfect for 21st century exhibition.

The 18-month 3-D conversion was earmarked for this year's 75th anniversary "Oz" celebration (even though it was released in '39), which includes a one-week engagement to relaunch the Chinese beginning September 20, followed by the October 1 release of a 5-disc "Collector's Edition" Blu-ray 3D/Blu-ray/DVD set from Warner Bros. Home Entertainment.

Scarecrow Wizard of Oz

Although they only previewed three scenes, it was a nice sampling: the introduction of the Tin Man, the storming of the Wicked Witch's castle, and the climactic castle chase. You get a wonderful sense of depth with so much layering (especially with the multi-plane castle effect), and the detail is stunning (from the Scarecrow's burlap texture to the Cowardly Lion's fur; from the extra rivet on the Tin Man's face to Dorothy's freckles). 

Granted, a flat IMAX experience would've yielded the same detail with greater contrast, but "Oz" is well-suited for 3-D, given how much it relies on effects. It's basically an animated movie with live actors, and the 3-D conversion makes primary use of animated techniques, particularly rotoscoping. The conversion was by Prime Focus, which also did such a great job on "Gravity," and then IMAX applied its proprietary remastering for the large screen. 

It was admittedly daunting for Ned Price, VP of Mastering, Warner Bros. Technical Operations, who's been close to "Oz" for a quarter of a century as a result of overseeing various re-masterings and a digital restoration. "Where was the grain going to go?" he wondered. "But I was pleased to see that it had its natural texture. I was also pleased that the 3-D wasn't pushed too much. Prime Focus made the 3-D very comfortable."

Working closely with Price, Prime Focus started with a depth script, isolating every element within the frame, which was divided into layers. They started shallow with the sepia opening in Kansas and then amped up the depth when Dorothy opens up the door to the Technicolor Oz. "That was a cool effect, picking points of contrast," remarks stereographer Justin Jones, who's also involved in look development. 

"It was the longest and most complex shot," adds Price. "There were a lot of 3-D elements like the flowers standing alone and the rotation was very difficult."

This article is related to: IMAX, Immersed In Movies, Features, Classics, Video


E-Mail Updates