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Tribeca All Access Celebrates Ten Years, Adds Eleven New Projects

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood March 14, 2013 at 2:14PM

The Tribeca Film Institute’s first-ever artist program – Tribeca All Access -- is celebrating its 10th Annual program with 11 new projects (highlighted below) and a TAA Celebration on April 26, during the Tribeca Film Festival. A total of $150,000 in grants will be awarded to filmmakers.
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Tribeca Film Festival marquee
·         When I Saw You, Palestine’s official entry for the Academy Awards, directed by Ann-Marie Jacir (2012), winner of the NETPAC prize for Best Asian Film at the Berlin International Film Festival;
·         American Promise, directed by Michele Stephenson and Joe Brewster (2013), winner of the U.S. Documentary Special Jury Award for Achievement in Filmmaking at the Sundance Film Festival;
·         Four, directed by Joshua Sanchez (2009), winner of the Urbanworld Film Festival and Independent Spirit Award nominee;
·         Circumstance, directed by Maryam Keshavarz  (2011), Audience Award-winner at the Sundance Film Festival;
·         Una Noche, directed by Lucy Mulloy (2012), winner of Best New Director at the Tribeca Film Festival and Best Script at the Brasilia International Film Festival;
·         Gideon’s Army, directed by Dawn Porter (2011), alumni introduction to her producer HBO Documentaries, winner of the Best Editing Award at the 2013 Sundance Film Festival; and
·         Free Angela & All Political Prisoners, directed by Shola Lynch which will open in theatres nationwide on April 5, 2013 and is Executive Produced by Jada Pinkett Smith, Will Smith and Jay Z
 Five grants will be awarded to documentary projects in various stages:
·         Long Year Begin, Directed and Produced by Malika Zouhali-Worrall and David Osit – An icy vault in the Arctic Circle safely stores seeds from around the world, but there is no such vault for humans or nations. Long Year Begin offers a poetic meditation on humanity’s perpetual quest for self-preservation.
    Roots & Webs, Directed by Sara Dosa, Produced by Josh Penn – Amid the bustling frontier world of Oregon’s matsutake mushroom camps, an unexpected father-son pair endures a tumultuous mushroom-hunting season. They grapple with wounds from Southeast Asian wars, attempting to find the high-priced mushroom before snowfall. An odyssey into the woods, into the memory of war and survival, Roots & Webs tells a story of family from enigmatic woodland realm.
    (T)Error, Directed and Produced by Lyric R. Cabral and David F. Sutcliffe – (T)Error captures the spectacular unraveling of an active FBI counterterrorism sting operation, and the dramatic aftermath that occurs when the target of the investigation realizes that a government informant is setting him up.
·         Time Is Illmatic, Directed and Produced by One9, Produced by Erik Parker – A feature length documentary film told through the lens of rapper Nas and his bluesman father Olu Dara, Time Is Illmatic deconstructs Nas' indelible rap album Illmatic and the socio-economic and cultural conditions that inspired the landmark work and gave voice to a generation.
·         Unveiling Shirin, Directed and Produced by Nariman Hamed, Produced by Victorien and Anna Lena Vaney – A feature length documentary film about the artist and filmmaker Shirin Neshat that takes us inside Shirin’s world and explores her life and work. It is the story of her life and challenges as a female Iranian artist living in exile.
Five grants will be awarded to narrative projects in various stages:
    If You Stay, Written, Directed, and Produced by Roja Gashtilli; Written and Directed by Julia Lerman – Iranian-born, American-bred Elham "Ellie" Amiri runs out of patience with her All-American lover and America when neither seems to want to commit to her.  Coming of age meets coming to America in this moving and imaginative comedy about youth, identity and sexual politics in NYC.
    Khoya, Written and Directed by Sami Khan; Produced by Karen Shaw; Executive Producer Guneet Monga– After the death of his adopted mother, a Canadian man travels to rural India desperately searching for the birth family he’s never known and seeking to unravel the mystery surrounding his adoption.
    The Lobbyists, Written, Directed, and Produced by Terence Nance; Produced by Andrew Corkin; Produced by Chanelle Pearson; Produced by James Bartlett – A conman with no past and a former CIA agent join forces to “lobby” politicians by blackmailing them into voting for progressive legislation.
    Obvious Child, Written and Directed by Gillian Robespierre; Produced by Elisabeth Holm – In this subversive romantic comedy about growing up without regret, 27 year-old emerging comic Donna Stern (Jenny Slate) gets dumped, fired, pregnant, and has the best worst Valentine's Day of her life.
    Papaw Easy, Written and Directed by Martha Stephens; Written by Karrie Crouse; Produced by Brett Potter – Under the watchful eye of his vain, ‘Modern Christian’ uncle, a shy young boy forges an unlikely partnership with a foul-mouthed, down and out playboy.
The narrative project selected to participate from the Canadian Film Centre (CFC) is:
    Combarde, Written and Directed by Boris Rodriguez; Produced by Anne-Marie Gelinas and Concepcion Taboada – A union organizer in Mexico loses his job and joins a band of corrupt detectives planning to kidnap the company’s owner.
In line with TAA’s mission to support filmmakers year round, more than 200 program alumni will have the opportunity to network and present their works-in-progress at selected events throughout the year. Grants and fellowships totaling over $75,000 for projects in development or new works by program alumni will be awarded on April 24th, during TFF.

This article is related to: Tribeca Film Institute, Tribeca, Tribeca Film Festival, The Eclipse


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.