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Tribeca Institute Announces Latin America Media Arts Fund Winners

Thompson on Hollywood By Sophia Savage | Thompson on Hollywood April 23, 2012 at 2:00PM

The Tribeca Film Institute announces the winners of its Latin America Media Arts and its first-ever Heineken VOCES grant. Sixty-thousand dollars is awarded to Latin American film and video artists, in $10,000 allotments...
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Tribeca Latin America Media Fund
Tribeca

The Tribeca Film Institute announces the winners of its Latin America Media Arts and its first-ever Heineken VOCES grant.  Sixty-thousand dollars is awarded to Latin American film and video artists, in $10,000 allotments. The new VOCES grant "extends our Latin Fund’s reach by allowing us to work with filmmakers in the United States as well as talent based in Latin America," says TFI's Ryan Harrington. Heineken's Carolyn Concepcion says, “We are excited to…help empower these filmmakers on their creative journey."

The winners were chosen by a jury of  Fernando Rovzar (exec producer  of "La Casa de Mi Padre," and Producer of "Spiderman: Turn Off the Dark"), Cynthia Lopez (VP of American Documentary/POV), and actor/filmmaker Ricardo Darin ("The Secret in Their Eyes").
 
Winners of the TFI Latin America Media Arts Fund:

•    City of the Caesars (Chile), Directed & Produced by Francisco Hervé, Edited by Andrea Chignoli -- Two conspiracy theories. Two ordinary men. Wisdom, immortality and natural resources are at stake in a mythical place somewhere in Patagonia.
 
•    Cuando los Muertos Estan Mas Secos/When the Dead Are Drier (Bolivia), Directed & Produced by Claudio Araya Silva and Produced by Yara Morales Rivera -- In the eighties, more than 50 women committed suicide in a small peasant community. Hermenegildo and Pedro return to their community, attempting to retrace the paths of memory regarding the deaths of their wives. The trip aims to unravel the mystery surrounding the life and death of these women.
 
•    Elena (Brazil), Directed & Produced by Ana Petra Costa - The film recounts the journey of Petra, a young Brazilian woman who dreams of becoming an actress but is warned not to do so by her mother. Against these admonitions, Petra moves to New York City where the reasons why she was advised against this path begin to unfold.
 
•    The Shark’s Eye (Argentina), Directed by Alejo Hoijman and Produced by Gema Juarez Allen -- Summer is coming to Nicaragua and Maycol and Bryan will start to learn their families’ trade, shark hunting. In a place where traditional trades disappear in favor of drug trafficking, these two boys choose their future. A coming of age film set in the forgotten Caribbean coast of Nicaragua.

The winners of the first-ever Heineken VOCES grants include:

As part of the Latin Fund, the Heineken VOCES grant provides two additional grants to narrative and documentary projects helmed by Latino filmmakers (over the age of 21) who live and work in the United States. The mission of the grant is to encourage American Latino filmmakers to redefine, invent, explore and create visions and stories that reflect their diverse cultures

·         Heineken VOCES Award for Documentary
Las Marthas 
A documentary about an extraordinary rite of passage in Laredo, Texas where Mexican-American debutantes are presented at a grand Colonial ball dressed as American revolutionaries – a border tradition that’s 114 years old.
Directed & Produced by Cristina Ibarra and Produced by Erin Ploss-Campoamor

·         Heineken VOCES Award for Narrative
Feriado (Holiday)
The sheltered life of Juan Pablo is turned upside down when he must spend the carnival holiday with his wealthy family at their hacienda in the Ecuadorian Andes and meets Juano, a self-assured black metal fan from the nearby pueblo. 
Written & Directed by Diego Araujo
Produced by Hanne-Lovise Skartveit, Juan Sebastián Jácome & Andrés Longares
Executive Produced by Frida Torresblanco
Cinematography by Bradford Young

This article is related to: Tribeca Film Festival, Tribeca, News, Genres, Documentary


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.