Click to Skip Ad
Closing in...
Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Oscars: Evaluating the Best Costume Design Nominees Oscars: Evaluating the Best Costume Design Nominees Oscar Predictions 2016 Oscar Predictions 2016 Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) A Letter to Michael B. Jordan A Letter to Michael B. Jordan Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More Inside the Oscar Nominees Lunch Inside the Oscar Nominees Lunch How John Ridley and Company Create the Emotional Resonance of 'American Crime' How John Ridley and Company Create the Emotional Resonance of 'American Crime' Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt? What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt?

TCM Classic Film Festival Opens April 28 with An American in Paris, Celebrates Music and Movies

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood April 5, 2011 at 9:29AM

After a rousing launch last year in Los Angeles, the TCM Classic Film Festival will return to Hollywood this year, running Thursday, April 28th through Sunday, May 1st. TCM is promising an even bigger and better celebration of the history of Hollywood this time around. Passes run from $299 to a whopping $599.
2
Thompson on Hollywood

After a rousing launch last year in Los Angeles, the TCM Classic Film Festival will return to Hollywood this year, running Thursday, April 28th through Sunday, May 1st. TCM is promising an even bigger and better celebration of the history of Hollywood this time around. Passes run from $299 to a whopping $599.

The fest is crammed with celeb-packed panels and Q & As plus more than 70 classic screenings, including anniversary world-premiere restorations of the romantic comedy-drama Breakfast at Tiffany’s (1961, 50th anniversary), digital restoration of the Clint Eastwood western The Outlaw Josey Wales (1976, 35th anniversary), the restoration of A Streetcar Named Desire (1951, 60th anniversary) plus the west coast premiere of a 50th anniversary restoration of Federico Fellini’s La Dolce Vita (1960) and a 35th anniversary screening of Paddy Chayefsky's Network (1976).

TCM will also honor Elizabeth Taylor with a special 60th anniversary presentation of George Stevens’ romantic drama A Place in the Sun (1951), starring Taylor, Montgomery Clift and Shelley Winters. The film will be introduced by actress Rose McGowan.

Among other stars attending the fest, Angela Lansbury will present Gaslight (1944), which earned the actress her first Oscar nomination at age 18, Kirk Douglas will present Spartacus (1960), Peter O'Toole will present Becket (1964), and Hayley Mills will intro the Disney family musical Summer Magic (1963) as part of an overall Disney tribute.

This year's theme is “Music and the Movies.” Thus the four-day fest kicks off with the 60th anniversary world premiere restoration of An American in Paris (1951) and will continue with multi-film tributes to George and Ira Gershwin, composer Bernard Herrmann and cowboy crooner Roy Rogers. Time Warner Cable joins Vanity Fair as official fest partner; Vanity Fair will again produce the opening-night after-party.

Based in Central Hollywood, the fest will screen at Grauman’s Chinese Theatre and the Egyptian Theatre; panels will be held at the fest headquarters, The Hollywood Roosevelt Hotel.

This article is related to: Festivals, Genres, Hollywood, TV, DVDs, Musical, Classics


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.