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Upsets At the Globes: Reitman, Cameron Beat Tarantino, Bigelow

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood January 18, 2010 at 3:17AM

There were some close races at the Golden Globes, including best screenplay and best director. When Jason Reitman accepted the screenplay prize for Up in the Air, (shared with Sheldon Turner) he said that he thought Quentin Tarantino would be accepting, not him. And when James Cameron accepted the best director award for Avatar, he said, "I thought Kathryn was going to get this, and she richly deserves this. I am very grateful." He went on to thank his stars in Na'vi, and thanked wife Suzy Amis in English: "Baby, you make my dreams possible." That's a far cry from his old Oscar chortle, "I'm King of the World!"
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There were some close races at the Golden Globes, including best screenplay and best director. When Jason Reitman accepted the screenplay prize for Up in the Air, (shared with Sheldon Turner) he said that he thought Quentin Tarantino would be accepting, not him. And when James Cameron accepted the best director award for Avatar, he said, "I thought Kathryn was going to get this, and she richly deserves this. I am very grateful." He went on to thank his stars in Na'vi, and thanked wife Suzy Amis in English: "Baby, you make my dreams possible." That's a far cry from his old Oscar chortle, "I'm King of the World!"

This article is related to: Awards, Directors, Independents, The Hurt Locker, Golden Globes, Oscars, Jason Reitman, Kathryn Bigelow, Quentin Tarantino, James Cameron


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.