VFX: The Avengers' NYC: Creating the virtual New York City during the alien attack of the last third posed the biggest challenge to the VFX team. ILM couldn't shoot principal photography there but sent four teams of photographers shooting spherical overlaps at all the appropriate locations, especially the Park Avenue Viaduct. They shot on the ground every 100 feet and up every 120 feet with a man in a lift moving down Park Avenue. They made close to 2,000 spheres and stitched together 275,000 high-res photographs like a Google street view.
Unlike the Oscar race for best animated feature, there's already a clear front-runner for VFX: "The Avengers," with its dazzling work from Industrial Light & Magic (especially the Hulk). Of course, there's still quite a heated race ahead when Peter Jackson's "The Hobbit: An Unexpected Journey" hits ...
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