Click to Skip Ad
Closing in...
Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Congrats to Monica Bellucci: She's Making History Congrats to Monica Bellucci: She's Making History Broad Green Dates 'Knight of Cups' and Two More Releases Broad Green Dates 'Knight of Cups' and Two More Releases Watch: The Secret Ingredient to David Lynch's Disorienting Cinema Watch: The Secret Ingredient to David Lynch's Disorienting Cinema First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal Is 'The Revenant' the Most Hellish Shoot of All Time? Is 'The Revenant' the Most Hellish Shoot of All Time? Gabriel García Márquez Documentary Coming Soon (Trailer) Gabriel García Márquez Documentary Coming Soon (Trailer) Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991 Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991

Vincent Cassel Breaks Genre, Gender Rules in Boyle's 'Trance,' Plays CG Monster in 'Beauty and the Beast' (TRAILER)

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood March 18, 2013 at 3:38PM

I was fascinated by "Trance," Danny Boyle's smart, assaultive psychological thriller (Fox Searchlight, April 5), which resembles Darren Aronofsky's darkly violent ballet drama "Black Swan," also starring Cassel, or Steven Soderbergh's nastily twisty "Side Effects," which also pivots on a sexily manipulative femme fatale. Boyle's stylish thrill-ride breaks genre rules as it goes. At the center of the movie is an all-is-not-what-it-seems triangle between ruthless gangster Vincent Cassel, who at first tortures London fine-art auctioneer and amnesia victim James McAvoy to find out where he has stashed a stolen Goya painting, then hires a seductive hypno-therapist (Rosario Dawson) to ferret it out of him.
1
Vincent Cassel
Vincent Cassel

I was fascinated by "Trance," Danny Boyle's smart, assaultive psychological thriller (Fox Searchlight, April 5), which resembles Darren Aronofsky's darkly violent ballet drama "Black Swan," also starring Vincent Cassel, or Steven Soderbergh's nastily twisty "Side Effects," which also pivots on a sexily manipulative femme fatale. Boyle won the Directing Oscar in 2008 for Best Picture winner "Slumdog Millionaire"; his last film was 2010's Oscar-nominated "127 Hours." He subsequently focused his efforts in London on a stage version of "Frankenstein" and 2012's opening ceremony for the London Olympics.

Boyle's stylish thrill-ride breaks genre rules as it goes. At the center of the movie is an all-is-not-what-it-seems triangle between ruthless gangster Vincent Cassel, who at first tortures London fine-art auctioneer and amnesia victim James McAvoy to find out where he has stashed a stolen Goya painting, then hires a seductive hypno-therapist (Rosario Dawson) to ferret it out of him.

Cassel, 42, is a multi-lingual, second-generation French movie star (besides his native French, he speaks Italian, Russian, Portuguese, and English); his father was Jean-Pierre Cassel (whose last film was "The Diving Bell and the Butterfly"). The younger actor's handsome, dangerous athleticism has served him well in diverse roles, many of them violent bad guys in action. You've seen him in such intense French films as "La Haine," "Brotherhood of the Wolf," "Irreversible" (in which he co-starred with wife Monica Belluci) and his Cesar-winning role as the title gangster in Jean-Francois Richet's sprawling period bio-epic "Mesrine," as well as Steven Soderbergh's "Oceans 12" and "13" and David Cronenberg's Russian gangster film "Eastern Promises" (he pops up in the sequel) and Freud vs. Jung drama "A Dangerous Method."  (My last video interview with him is here.)

Check out our Q & A and the mindblowing red band trailer below.

This article is related to: Interviews, Interviews , Interviews , Vincent Cassel, Danny Boyle, James McAvoy


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.