Breivik's Facebook page listed Dogville as his third favorite film right behind Gladiator and 300, and "even von Trier could easily discern the similarities between the carnage at Utoya and the film's ending," Thoren writes.
Dogville, one of Von Trier's best, ends with Nicole Kidman's Grace, who's been exploited and sexually abused by Dogville's citizenry, ordering the pistols who work for her gangster dad (James Caan) to mow them all down with machine-gun fire.
"I feel badly about thinking that Dogville, which in my eyes is one of my most successful films, should have been a kind of script for him," Von Trier said. "It's horrific. My intention with Dogville was totally opposite. Namely, to ask whether we can accept a protagonist who takes revenge on the entire village. And here I take the absolute distance from revenge. It's a way to nuance the protagonist and our feelings and perhaps even uncover it, so it just is not black and white."
Von Trier's latest film Melancholia launched amid controversy at Cannes, where von Trier was named persona non grata by the festival for comments he made about being a Nazi (he talked to TOH). Magnolia gave the film an early test run in California last week.
Meanwhile, Sweden's Stieg Larsson of The Girl with the Dragon Tattoo fame fought his entire career against right wing ideologues such as Breivik, and wrote eloquently about it in the magazine he founded, Expo, the model for Millenium in the novels, which continues to track Breivik and his ilk. The NYTimes sees Breivik as exemplifying a new movement called the Macro-Nationalists.
[Hat Tip: Hungry Ghost.]