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WATCH: Trailer for Drafthouse Doc 'The Final Member,' on the World's Only Penis Museum

Photo of Beth Hanna By Beth Hanna | Thompson on Hollywood February 20, 2014 at 1:51PM

The one "thing" this Icelandic museum is missing is a human specimen. A trailer and poster have arrived for Drafthouse Films' doc "The Final Member," which chronicles the world's sole penis museum's "quest for one last endowment," i.e. a human phallus to add to their collection. Give it a gander, below.
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Final Member

The one "thing" this Icelandic museum is missing is a human specimen. A trailer and poster have arrived for Drafthouse Films' doc "The Final Member," which chronicles the world's sole penis museum's "quest for one last endowment," i.e. a human phallus to add to their collection. Give it a gander, below.

The film, helmed by Jonah Bekhor and Zach Math, has its theatrical and VOD release on April 18, 2014. Here's the official synopsis:

Paris has the Louvre, London has the Tate Modern, and New York the Metropolitan Museum. But Husavik, Iceland-a diminutive village on the fringe of the Arctic Circle-boasts the world's only museum devoted exclusively to painstakingly preserved male genitalia. Founded and curated by Sigurður "Siggi" Hjartarson, the Icelandic Phallological Museum houses four decades worth of mammalian members, from a petite field mouse to the colossal sperm whale, and everything in between. Lamentably, Siggi's collection lacks the holy grail of phallic phantasmagoria: a human specimen. Siggi's world changes dramatically when he receives generous offers from an elderly Icelandic Casanova and an eccentric American. However, as the competition for eternal penile preservation heats up between the two men, Siggi soon discovers that this process is more complicated than it initially appeared.


The Final Member poster

This article is related to: Video, Video, Trailers, Trailers, Drafthouse Films, Documentary, Documentaries


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.