Click to Skip Ad
Closing in...
Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Congrats to Monica Bellucci: She's Making History Congrats to Monica Bellucci: She's Making History Broad Green Dates 'Knight of Cups' and Two More Releases Broad Green Dates 'Knight of Cups' and Two More Releases Watch: The Secret Ingredient to David Lynch's Disorienting Cinema Watch: The Secret Ingredient to David Lynch's Disorienting Cinema First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal Is 'The Revenant' the Most Hellish Shoot of All Time? Is 'The Revenant' the Most Hellish Shoot of All Time? Broad Green Enters Long-Term Home Video Deal with Universal for Burgeoning Slate Broad Green Enters Long-Term Home Video Deal with Universal for Burgeoning Slate Gabriel García Márquez Documentary Coming Soon (Trailer) Gabriel García Márquez Documentary Coming Soon (Trailer) Watch 'SPECTRE' Trailer: James Bond Meets the Author of His Pain Watch 'SPECTRE' Trailer: James Bond Meets the Author of His Pain 'BoJack Horseman,' 'Rick and Morty,' and Our Love/Hate Relationship with TV 'BoJack Horseman,' 'Rick and Morty,' and Our Love/Hate Relationship with TV Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) First Look at Julianne Moore and Ellen Page as a Gay Couple in 'Freeheld' First Look at Julianne Moore and Ellen Page as a Gay Couple in 'Freeheld' Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991 Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991

Box Office: 'Hunger Games' Takes Fourth Number One Weekend

Thompson on Hollywood By Brian Fuson | Thompson on Hollywood April 15, 2012 at 12:52PM

Topping box office charts for the fourth consecutive weekend, Lionsgate’s exemplary “The Hunger Games” took in an estimated $21.5 million, advancing its cume to a stellar $337.1 million. The weekend’s three new wide releases were unable to dislodge “Games” from its perch at number one.
0
'Hunger Games'
Lionsgate 'Hunger Games'

Topping box office charts for the fourth consecutive weekend, Lionsgate’s exemplary “The Hunger Games” took in an estimated $21.5 million, advancing its cume to a stellar $337.1 million. The weekend’s three new wide releases were unable to dislodge “Games” from its perch at number one.  The weekend overall was down nearly 10% from the comparable session a year ago, with the total gross for all films around $117 million. See Top Ten Box Office Chart below.

The most recent film to hold onto the number one box office position for four consecutive sessions was 20th Century Fox’s “Avatar” back in 2009.  On its fourth weekend in theaters “Avatar” grossed $50.3 million and had a cume to date at that time of $430.8 million, which eventually grew to $749.8 million by the end of its theatrical run in August of 2010. “Hunger Games” is not likely to have a fifth consecutive weekend in the top spot as several strong contenders are opening next weekend, including Sony’s comedy “Think Like A Man” and Warner Bros.’ romantic drama “The Lucky One.”

Fox’s “The Three Stooges” gave “Hunger Games” the best run for its money, as the PG-rated film, based on the iconic comedy slapstick act that made Americans laugh for decades, landed in the second spot with an estimated $17.1 million, which was at the high end of expectations.

“The younger generation loved the movie: the Stooges have poked their way into a new generation of fans,” said Fox distribution evp Chris Aronson, noting that the film also worked with familes. The under-25 age group granted the film an A- CinemaScore, while the under 18 crowd gave it an A.

"The Three Stooges" delivered the directors Peter and Bobby Farrelly's best opening since 2001, their third-highest opening overall.  Only “Shallow Hal” ($22.5 million in 2001) starring Jack Black and Gwyneth Paltrow, and “Me, Myself and Irene” ($24.2 million in 2000) starring Jim Carrey, opened better.  The Farrelly brothers' last three films were “Hall Pass” (2011, a $13.5-million opening); “The Heartbreak Kid” (2007, $14 million); and “Fever Pitch” (2005, $12.4 million).

This article is related to: Box Office, Box Office, Box Office


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.