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Weekend Box Office: Jennifer's Body Horror Tweener

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood September 19, 2009 at 9:03AM

As predicted, Jennifer's Body opened soft at the boxoffice. Fox marketed a horror movie aimed at men, who like Megan Fox. Twentieth Century Fox hung the marketing on the Transformers star, but girls don't want to see her. The studio failed to get women to watch Karyn Kusama and Diablo Cody's angry feminist movie. Thus Jennifer's Body is a classic tweener: neither a horror thriller for men, nor a coming-of-age horror-comedy for women. (It didn't earn strong reviews.) If Searchlight had marketed it, they might have been able to target the right smart crowd. (At a low-end cost of $16 million, the movie should come out ahead in any case.)
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Thompson on Hollywood

As predicted, Jennifer's Body opened soft at the boxoffice. Fox marketed a horror movie aimed at men, who like Megan Fox. Twentieth Century Fox hung the marketing on the Transformers star, but girls don't want to see her. The studio failed to get women to watch Karyn Kusama and Diablo Cody's angry feminist movie. Thus Jennifer's Body is a classic tweener: neither a horror thriller for men, nor a coming-of-age horror-comedy for women. (It didn't earn strong reviews.) If Searchlight had marketed it, they might have been able to target the right smart crowd. (At a low-end cost of $16 million, the movie should come out ahead in any case.)

This article is related to: Box Office, Genres, Studios, Stuck In Love, Marketing, Fall, Horror , comedy, Twentieth Century Fox, Diablo Cody


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.