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Green Lantern and Mr. Popper's Penguins Could Disappoint, Buck, Page One, Art of Getting By

Thompson on Hollywood By Anne Thompson and Sophia Savage | Thompson on Hollywood June 17, 2011 at 5:22AM

No one expected Warners' DC movie Green Lantern to score with critics (it managed a mere 22% Tomatometer score), as opposed to well-reviewed Super 8 and X-Men: First Class, which are still going strong at the box office. But Warners is putting $100 million of marketing muscle behind the $200 million movie. An entire franchise is at stake. They're so confident that they introduce a new villain at the end. (Anyone who's read the comics already knows he's a bad guy.) Box office prognosticators are upbeat, predicting a $50 to 60 million weekend; so far the movie is off to a strong start on 3816 screens, 2711 of them 3-D.
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Thompson on Hollywood


No one expected Warners' DC movie Green Lantern to score with critics (it managed a mere 22% Tomatometer score), as opposed to well-reviewed Super 8 and X-Men: First Class, which are still going strong at the box office. But Warners is putting $100 million of marketing muscle behind the $200 million movie. An entire franchise is at stake. They're so confident that they introduce a new villain at the end. (Anyone who's read the comics already knows he's a bad guy.) Box office prognosticators are upbeat, predicting a $50 to 60 million weekend; so far the movie is off to a strong start on 3816 screens, 2711 of them 3-D.

While Green Lantern is better than its execrable trailer--Sony Imageworks' 3-D outer space digital worlds are well-crafted, and Ryan Reynolds, Mark Strong and Peter Sarsgaard bring life to the venerable comic characters (no one could have made Blake Lively's flier/business scion/girlfriend work)--the film falls flat with a too-familiar superhero origin story. It's coming late to the party. Will audiences feel comic-movie fatigue?

On the indie side of the ledger, it's a strong weekend for documentaries with Buck, Page One: Inside the New York Times and Hot Coffee opening, as well as indie The Art of Getting By, which despite a generally disappointed critical consensus, still has Leonard Maltin calling it "worthwhile," and South Korean film Late Autumn, which the Seattle Times says has "moments of real magic." Plenty more indies are showing at the Los Angeles Film Festival.

Reviews: RottenTomatoes | MetaCritic | MovieReviewIntelligence

Green Lantern, Warner Bros. | Dir: Martin Campbell; Cast: Ryan Reynolds, Blake Lively, Mark Strong, Peter Sarsgaard | TOH! Review Round-up.

Mr. Popper's Penguins, Twentieth Century Fox | Dir: Mark Waters; Cast: Jim Carrey, Carla Gugino, Angela Lansbury | The Summer's Nine Worst Movie Trailers | Has Hollywood Stopped Trying?

Thompson on Hollywood


Buck, Sundance Selects | Dir: Cindy Meehl | Premiere at Sundance | Redford at Sundance | ThePlaylist interviews Meehl & Buck | Eric Kohn's Review.

Late Autumn (South Korea) | Dir: Kim Tae-Yong; Cast: Tang Wei, Hyun Bin | indieWIRE | Moira Macdonald's Seattle Times Review: "it has moments of real magic, like the softly lit, quiet Market stalls at night (what setting could be more romantic?)."

Page One: Inside the New York Times, Magnolia Pictures (Doc) | Dir: Andrew Rossi | indieWIRE | Eric Kohn's Review: "Rossi captures the minutiae of the newsroom, from the rapid transcription of interviews to the rush of deadlines, as if observing an Olympic sport. That sort of energetic investment invites a sort of ideological loyalty and the witty Carr is constantly seen defending his employer’s credibility."

Thompson on Hollywood


Hot Coffee, HBO (Doc)| Dir: Susan Saladoff | indieWIRE interviews Saladoff | Meredith Brody talks Hot Coffee at SFIFF.

The Art of Getting By, Fox Searchlight | Dir: Gavin Wiesen; Cast: Freddie Highmore, Emma Roberts, Michael Angarano, Elizabeth Reaser, Rita Wilson, Blair Underwood | At Sundance, Title Change | Soundtrack | Leonard Maltin's Review: "There are moments in The Art of Getting By that made me wince, especially toward the end; they betray the filmmaker’s lack of experience. But I found myself rooting for his two key characters, and enjoying Highmore and Roberts’ performances. That’s enough to make this little indie film worthwhile, warts and all." | indieWIRE interviews Emma Roberts.

Jig, Screen Media Films (Doc) | Dir: Sue Bourne | indieWIRE | Todd McCarthy's Review: "Jig is just one step up from reality TV show contests in terms of what it offers the viewer dramatically. Very nicely shot and scored, Sue Bourne's documentary confines itself to the predictable format of introducing a large array of contestants, generating a measure of rooting interest in them, then seeing how it all plays out in the tense competition, where the fruits of years of dedicated effort are decided in a brief moment in the spotlight."

Angel of Evil, Fortissimo Films (Italy/France)| Dir: Michele Placido; Cast: Kim Rossi Stuart, Filippo Timi, Moritz Bleibtreu, Valeria Solarino | indieWIRE |
Andy Webster's NYT Review: “Angel of Evil is bloody, yes, but loaded with generic action sequences, shouting matches and blustery sentiment. To borrow Robert Evans’s famous quotation about The Godfather, you can smell the spaghetti, but less sauce might have helped."

This article is related to: Box Office, Franchises, Genres, Headliners, Video, Weekend Preview, Independents, Drama, Documentaries, Comics, Animation, Trailers


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Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.