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Weiner and AMC Make Mad Men Pact

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood March 31, 2011 at 12:07PM

Raise high the roof beam, carpenters! AMC, Lionsgate and Mad Men showrunner Matthew Weiner have made their deal to extend his contract for as much as $30 million if it goes to three seasons. He will remain in charge of the lucrative show starring Jon Hamm as Madison Avenue ad exec Don Draper. Variety's Cynthia Littleton has the details:The sides came to a compromise on the running time issue by settling in allowing the show to run at its standard 47-minute length for each season premiere and season finale. The 11 episodes in between will run 45 minutes, but Weiner will have the option of delivering a 47-minute version to be made available on VOD and ultimately on DVD. (There's also been chatter about Lionsgate cutting a deal with Netflix for streaming rights to "Mad Men.")
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Thompson on Hollywood

Raise high the roof beam, carpenters! AMC, Lionsgate and Mad Men showrunner Matthew Weiner have made their deal to extend his contract for as much as $30 million if it goes to three seasons. He will remain in charge of the lucrative show starring Jon Hamm as Madison Avenue ad exec Don Draper. Variety's Cynthia Littleton has the details:

The sides came to a compromise on the running time issue by settling in allowing the show to run at its standard 47-minute length for each season premiere and season finale. The 11 episodes in between will run 45 minutes, but Weiner will have the option of delivering a 47-minute version to be made available on VOD and ultimately on DVD. (There's also been chatter about Lionsgate cutting a deal with Netflix for streaming rights to "Mad Men.")

On the cast cost issue, it's understood that the studio backed down a bit on its demand to contain the overall growth of cast budget in future seasons.

Unfortunately all the wrangling pushed the show back to March 2012 instead of this summer.

This article is related to: TV, Mad Men, AMC


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.