Click to Skip Ad
Closing in...

Weinstein Co. Dominates Cannes 2012 with Advance Pick-Ups UPDATED

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood May 15, 2012 at 12:44PM

As the 65th Cannes Film Festival ramps up for yet another glitzy opening on the Riviera May 16, with Wes Anderson's "Moonrise Kingdom," Harvey Weinstein is showing his muscle. The French have never more adored the indie powerhouse, who scored five Oscars for "The Artist" last year, including Best Picture and Actor.
0
The Weinsteins
Getty Images The Weinsteins

As the 65th Cannes Film Festival ramps up for yet another glitzy opening on the Riviera May 16, with Wes Anderson's "Moonrise Kingdom," Harvey Weinstein is showing his muscle.

The French have never more adored the indie powerhouse, who scored five Oscars for "The Artist" last year, including Best Picture and Actor. Cannes director Thierry Fremaux was among the revelers on Oscar night, and felt partly responsible for its success, as he had booked the film at Cannes 2011, moving it into competition after Weinstein acquired the film off a pre-fest Paris Wild Bunch screening. Dujardin won best actor at Cannes en route to his Oscar (though not the Cesar, which was won by Omar Sy, star of yet another TWC pick-up "The Intouchables," which opens this month stateside).

The Weinsteins are all over Cannes this year too. They come into the festival having already picked up competition films from John Hillcoat, the prohibition era drama "Lawless," starring a sprawling ensemble led by Shia LaBeouf and Tom Hardy as brothers running illegal booze in Virginia, and Andrew Dominik's gangster saga "Killing Me Softly," which returns Brad Pitt to the red carpet after the Palme d'Or-winning "The Tree of Life" last year. Right before the festival they scooped up market title (for some $4 million) to "Quartet," Dustin Hoffman's directorial debut starring Maggie Smith, Michael Gambon and Billy Connolly as three people in a home for aging opera stars. And right on the eve of opening day, they acquired most territories for the out-of-competition official selection, "The Sapphires," directed by Aboriginal actor and theater director Wayne Blair.

John Hillcoat's "Lawless"
John Hillcoat's "Lawless"

Written by Aboriginal playwright Tony Briggs, whose mother and family members were part of The Sapphires group, and Keith Thompson, the movie stars "Bridesmaids" funnyman Chris O'Dowd, Aboriginal actress Deborah Mailman (Radiance") and Aussie pop star Jessica Mauboy ("Bran Nue Dae"). Warwick Thornton, previous winner of the Camera d’Or at the Cannes Film Festival for "Samson and Delilah," is the film's cinematographer.

Stateside acquisitions execs are hoping that Weinstein leaves them something to buy. "TWC has everything," said one buyer putting together his company's black book schedule. Word is, TWC is expected to nab James Gray's unfinished New York immigrant drama "Low Life," starring Joaquin Phoenix, Marion Cotillard and Jeremy Renner, out of the Cannes market. EOne, which is moving into stateside distribution, acquired David Cronenberg's competition title starring Rob Pattinson, "Cosmopolis," which earned mixed response at pre-fest distributor screenings, as did Walter Salles' movie version of Jack Kerouac's "On the Road," which was acquired by IFC and Sundance Selects.

Still on the table are "Paper Boy," Lee Daniels' follow-up to "Precious," starring Nicole Kidman and Matthew McConaughey, and another film with the Texas actor, "Mud," Jeff Nichols' follow-up to "Take Shelter," which screens at fest's end; seller FilmNation will show it to market buyers on Wednesday. No early press screening is scheduled, alas, which I hope will change, as I'm not the only one to leave before Saturday. (Kidman also stars as a war correspondent in Philip Kaufman's out-of-competition HBO biopic "Hemingway & Gellhorn," co-starring Clive Owen as her love interest and sparring partner; Annette Insdorf saw the film and has more details.)

This article is related to: Festivals, Festivals, Cannes, Cannes Film Festival


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.