By Anne Thompson and Sophia Savage | Thompson on Hollywood September 24, 2012 at 3:02PM
Ziskin pushed "The Butler" up the hill independently by approaching a consortium of African American business people who cared about making a difference in the culture, inspired by Karem Abdul Jabar's quote: "If we want to change the culture we need to make the culture." Sheila Johnson, cofounder of BET, led the way among many other investors. Michael Finley came in as executive producer, joined by Buddy Patrick, Cassian Elwes, Hilary Shor and Adam Merims; David Jacobson is co-producer.
The independently-financed film is bankrolled by Follow Through Productions, Windy Hill Pictures, Salamander Media, Salloway Rubenstein Productions/Crystal City Entertainment, Earl W. Stafford, Starstream Films, Yogi Entertainment, and Inner Media Capital.
Daniels, who was hot after "Precious," was attached to "Selma"; Ziskin had worked on an earlier Martin Luther King film with Stephen Frears. When "Selma" never got off the ground, Ziskin wanted Daniels for "The Butler." With him on board, Whitaker and Winfrey signed on as the butler and his wife, along with David Oyewolo ("The Paperboy") as their son Louis, Lenny Kravitz, Terrence Howard, Cuba Gooding, Jr., and Vanessa Redgrave. The real Allen worked with eight presidents, from Truman through Reagan. "Our movie takes historical events and keeps them accurate with a fictionalized butler's life," says Williams. "It's inspired by the real butler, but our character is fictional. We have him starting during Eisenhower through Little Rock and through Reagan. We skip over Carter and Ford, we were not able to do a three-hour movie."