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Weir's The Way Back Kicks Off Museum of Tolerance Film Fest

Thompson on Hollywood By Sophia Savage | Thompson on Hollywood November 3, 2010 at 3:28AM

Peter Weir's The Way Back will kick off Los Angeles' Museum of Tolerance International Film Festival (MOTIFF) on November 13, which runs six days and screens twenty-two films seeking to highlight human rights issues past and present. Clint Eastwood will be honored with the festival's first "Tolerance Award" at the festival Gala on November 14. Clinton's Gran Torino (2008) will have a special presentation during the festival. Among the other films are Nigel Cole's Made in Dagenham (2010), Matthew Asner and Danny Gold's documentary 100 Voices: A Journey Home (2010), Reconciliation: Mandela's Miracle (2010) from Michael Henry Wilson, When We Leave (2010, Germany) from Feo Aladag, plus special presentations of Kimberly Peirce's Boy's Don't Cry (1999), To Kill A Mockingbird (1962) and more.
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Thompson on Hollywood


Peter Weir's The Way Back will kick off Los Angeles' Museum of Tolerance International Film Festival (MOTIFF) on November 13, which runs six days and screens twenty-two films seeking to highlight human rights issues past and present. Clint Eastwood will be honored with the festival's first "Tolerance Award" at the festival Gala on November 14. Clinton's Gran Torino (2008) will have a special presentation during the festival. Among the other films are Nigel Cole's Made in Dagenham (2010), Matthew Asner and Danny Gold's documentary 100 Voices: A Journey Home (2010), Reconciliation: Mandela's Miracle (2010) from Michael Henry Wilson, When We Leave (2010, Germany) from Feo Aladag, plus special presentations of Kimberly Peirce's Boy's Don't Cry (1999), To Kill A Mockingbird (1962) and more.

This article is related to: Directors, Festivals, Genres, Clint Eastwood, Independents, Documentaries, Foreign


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.