James Franco is no fool. He has made a study of how to survive in Hollywood as he pursues multiple careers--without worrying about how he will be judged. Whether it will be fulfilling or not is up to him. He gets that the relationship between him and his audience is complicated. And that the only way to combat all the sycophancy and craziness from agents, managers, lawyers, producers, publicists, filmmakers, executives and the media is to try to be himself, for better or worse, and not get hung up on everyone else's expectations and desires. 27-year-old Shia LaBeouf's recent behavior--and the media response-- has prompted Franco to try and explain what he thinks is happening, in the NYT.
Marlon Brando was one Hollywood movie star who struggled to remain authentic under the most trying circumstances, hating obsequious questions from the press, whether in English or French. He challenged the media and turned down the Oscar in 1973: "These were acts of rebellion against an industry that practically forces an actor to identify with his persona," writes Franco, "while at the same time repeatedly wresting it from him."
Clearly, some actors have more trouble dealing with the divide between their public and private selves; see Joaquin Phoenix, who was inspired to act out in Casey Affleck's perhaps ill-advised mock doc "I'm Still Here."
See the clip below for the Maysles brothers' must-see 27-minute documentary "Meet Marlon Brando," now streaming on Fandor. In this assemblage of press interviews with Brando promoting "Morituri," a movie most of his interlocuters had not yet seen, the star doesn't take compliments well--he thinks it's all balderdash, complains he's getting fat, and resorts to flirting with the younger women, observing the length of the men's fingernails, and answering in French and German. The press junket hasn't changed much since then. Unfortunately. Who can blame LaBeouf for walking out of a Berlin press conference for "Nymphomaniac?"