- Bruce Dern’s emotional appreciation of "Nebraska"’s Director Alexander Payne, who “gave me a greater freedom than I’ve ever had as an actor over 50 years,” in a post-screening panel with the film's producers Albert Berger and Ron Yerxa.
- Legendary Swampman Jimmy Johnson expressing his surprise that “a group of good ‘ole boys from Alabama” could have had such an enduring impact on popular music, following the screening of "Muscle Shoals," which traces how a small Alabama town on the banks of the Tennessee River has been an “unlikely breeding ground for some of America’s most creative and defiant music” -- from the Stones to Aretha Franklin, Jimmy Cliff to Alicia Keys to Steve Winwood (all featured in the movie).
- Lee Daniels wiping away tears after having seen his film "The Butler" for the first time since its premiere, and characterizing the movie as “essentially a father/son tale” that is also “a love letter to America.” Daniels was joined in a post-screening discussion by Washington Post journalist Wil Haygood (whose true story for the paper led to the book and film); the two were questioned by Post reporter Krissah Thompson.
- Ted Leonsis tracing the “tectonic changes in storytelling, making self-expression through video” a defining trend of our age. “Now that the tools of the trade are available at a low cost … we can activate genius on a worldwide basis” – intermingling cultures and democratizing a medium “too often controlled by old, white men” that has nonetheless “created what our culture felt and thought, and how our country is expressed abroad.”
- Stefano Sardo, director of the "Slow Food Story," noting that “food is culture put in motion for regular people,” after a screening of his documentary. The film traces the roots and accelerating impact of an eco-gastronomic movement that began in Italy, spread worldwide, and – by recognizing a “universal right to pleasure” – promotes doing what is “right, fair and clean” to reclaim both pleasure and politics through food, in “a noble way that relates to everyone.”
- Josh Rofé, director of "Lost for Life," talking about the young people in his film who are serving life sentences without parole for “unspeakable acts” committed when they were juveniles: “how do we as a society consider what it will take for a murderer to construct a life worthy of a second chance?” Rofé’s after-screening panel included the film's producer Leonsis, juvenile justice activist and "Hangover producer" Scott Budnick, and me.
Organizer Johnson surveyed the scene with real satisfaction, proud of inaugural results that suggest that the movie world will soon become very familiar with Middleburg.