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Why You Must Watch 'Calvary,' 'Guardians of the Galaxy,' 'The One I Love' & 'Moebius' This Weekend (TRAILERS)

Photo of Ryan Lattanzio By Ryan Lattanzio | TOH! August 1, 2014 at 10:30AM

This weekend, you have no excuse not to get out to the movies, as one of the most satisfying popcorn films of the summer, and a gobsmacking Irish drama, hit theaters.

This weekend, you have no excuse not to get out to the movies, as one of the most satisfying popcorn films of the summer, and a gobsmacking Irish drama, hit theaters. 

Fans of John Michael McDonagh's 2011 "The Guard" will revel in his followup "Calvary," another dark-minded exploration of Ireland's collective psyche starring Brendan Gleeson, here as a guilt-addled priest entangled in crime and corruption and trauma in the Catholic Church. This suspenseful, crisply told mystery wowed festival audiences and boasts strong dramatic performances from Gleeson, especially, and comedy TV's unassuming Chris O'Dowd as a surly butcher. See it in select cities.

"Guardians of the Galaxy"
"Guardians of the Galaxy"

You don't need to be a comic-nut to love "Guardians of the Galaxy," which critics are eating up. Anne Thompson writes, "Marvel knows how to throw audiences into a new world crammed with characters, deliver an origin myth (for those who haven't read the comics) and have a bit of fun." Vin Diesel stands out of the starry pack as Groot, one of the best animated characters Marvel has delivered yet. With galactic pre-sale figures -- presaging a $65 million debut or more -- this will be one of the biggest hits of the year.

Also in wide release, "The Help" director Tate Taylor's James Brown biopic "Get On Up" is charming critics. Given Taylor's pedigree, and with producers Brian Grazer and Mick Jagger at the helm, we will certainly see Universal push for an Oscar later this year for Chadwick Boseman ("42") as the iconic funk founder.

Meanwhile, on opposite ends of the crowdpleaser spectrum arrive two of the year's freshest fest favorites: debut director Charlie McDowell's twisty relationship comedy "The One I Love," and Kim Ki-duk's creepy-crazy "Moebius." On VOD ahead of its August 22 theatrical release, "Love" centers on Mark Duplass (also a producer) and Elisabeth Moss as a thirtysomething couple limping toward the finish line of their marriage. So they head to a private retreat to patch things up -- only to find some very weird goings-on afoot. The brainy plot will keep you guessing, but its the relationship details that ring true.

Elisabeth Moss and Mark Duplass in 'The One I Love'
Photo by Doug Emmett Elisabeth Moss and Mark Duplass in 'The One I Love'

Told without music or dialogue, South Korean auteur Kim Ki-duk's ("Pieta") raw, racy, button-pushing "Moebius" is a punishing psychodrama about a destructive family whose nuclear bonds are undone, in Greek-tragic fashion, by incestuous desires. This nasty little film experiment from RAM Releasing will struggle to find the audience it deserves -- but an imminent VOD release could capture must-see cult viewing status. There hasn't been a more disturbing arthouse family-gone-wrong film since Takashi Miike's 2001 "Visitor Q."

Finally, rolling out in limited release, Sundance Grand Jury Prize winning doc "Rich Hill" plumbs the lower-class dregs of the titular small town in Missouri, focusing tightly on three youths who dream of a richer life. 

Trailers and reviews after the jump.

This article is related to: Reviews, Calvary, Moebius, The One I Love, Kim Ki-duk, John Michael McDonagh, Mark Duplass, Elisabeth Moss, Guardians of the Galaxy, Marvel, Rich Hill, Get On Up, Tate Taylor, The Killing

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Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.