Click to Skip Ad
Closing in...
Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Oscars: Evaluating the Best Costume Design Nominees Oscars: Evaluating the Best Costume Design Nominees Oscar Predictions 2016 Oscar Predictions 2016 Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) A Letter to Michael B. Jordan A Letter to Michael B. Jordan Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More Inside the Oscar Nominees Lunch Inside the Oscar Nominees Lunch How John Ridley and Company Create the Emotional Resonance of 'American Crime' How John Ridley and Company Create the Emotional Resonance of 'American Crime' Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt? What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt?

Will Tinker Tailor Soldier Spy or Iron Lady Land New York Film Festival Berth?

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood August 15, 2011 at 5:08AM

A lot of folks expected Working Title's John le Carre thriller Tinker Tailor Soldier Spy to wind up with a key New York Film Festival slot. In fact, it was in the running for opening night, but Focus and the NYFF weren't able to come to terms on exactly who (Gary Oldman and Tom Hardy are both currently filming The Dark Knight Rises) would show up for the glamorous black tie Lincoln Center event on September 30. Talent availability is a killer factor in these negotiations. So the NYFF went with Roman Polanski's Carnage (new European poster below), even though the exiled filmmaker would have to remain overseas. Jodie Foster, John C. Reilly, Kate Winslet and Christoph Waltz brought the requisite star power--and satellite feeds do wonders at Q and As.
0
Thompson on Hollywood

A lot of folks expected Working Title's John le Carre thriller Tinker Tailor Soldier Spy to wind up with a key New York Film Festival slot. In fact, it was in the running for opening night, but Focus and the NYFF weren't able to come to terms on exactly who (Gary Oldman and Tom Hardy are both currently filming The Dark Knight Rises) would show up for the glamorous black tie Lincoln Center event on September 30. Talent availability is a killer factor in these negotiations. So the NYFF went with Roman Polanski's Carnage (new European poster below), even though the exiled filmmaker would have to remain overseas. Jodie Foster, John C. Reilly, Kate Winslet and Christoph Waltz brought the requisite star power--and satellite feeds do wonders at Q and As.

Thompson on Hollywood

The NYFF, juiced up on steroids under new Film Society of Lincoln Center director Rose Kuo, is adding more mainstream fare via two extra galas to what has long been a tastefully arcane annual selection. Centerpiece gala My Week with Marilyn, starring Kenneth Branagh and Michelle Williams, already stands out as not your typical NYFF fare. And Tinker Tailor could yet turn up as the closing night selection---where mega-star attendance is less crucial--which is expected to be announced later this week. Clint Eastwood's J. Edgar pulled out of the running for NYFF and Toronto, because it is still in the editing room. Meryl Streep-starrer The Iron Lady is still a possibility for a NYFF berth. News on the galas should come Monday.

This article is related to: Directors, Headliners, Independents, Studios, Festivals, Marketing, Jodie Foster, Colin Firth, Weinsteins, Universal/Focus Features, Sony/Screen Gems/Sony Pictures Classics


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.