Click to Skip Ad
Closing in...
How Do You Solve a Problem Like Erika? Universal Hires Husband to Write 'Fifty Shades Darker' How Do You Solve a Problem Like Erika? Universal Hires Husband to Write 'Fifty Shades Darker' 'Age of Ultron' Director Joss Whedon on Self-Doubt and Why It's His 'Rio Bravo' 'Age of Ultron' Director Joss Whedon on Self-Doubt and Why It's His 'Rio Bravo' Watch: Julia Louis-Dreyfus, Tina Fey, Patricia Arquette and Amy Schumer Hilariously Slam Hollywood Sexism (NSFW) Watch: Julia Louis-Dreyfus, Tina Fey, Patricia Arquette and Amy Schumer Hilariously Slam Hollywood Sexism (NSFW) CinemaCon: How Tom Cruise Stole the Paramount Show CinemaCon: How Tom Cruise Stole the Paramount Show Cannes: Directors' Fortnight Lines Up Vet Auteurs and American Indies Cannes: Directors' Fortnight Lines Up Vet Auteurs and American Indies Joe Wright's 'Pan' Gets Fall Release Date: Good News or Bad News? Joe Wright's 'Pan' Gets Fall Release Date: Good News or Bad News? Seeing Ryan Gosling's 'Lost River' Through Composer Johnny Jewel's Eyes (STREAM SOUNDTRACK) Seeing Ryan Gosling's 'Lost River' Through Composer Johnny Jewel's Eyes (STREAM SOUNDTRACK) 3 Women Genre Directors Get SF Film Society Fellowships 3 Women Genre Directors Get SF Film Society Fellowships Here's Why Jon Stewart Quit 'The Daily Show' Here's Why Jon Stewart Quit 'The Daily Show' Watch: From Tarantino to Cronenberg, Great Directors Talk the Art and Anxiety of Filmmaking Watch: From Tarantino to Cronenberg, Great Directors Talk the Art and Anxiety of Filmmaking Specialty Box Office: 'True Story' and 'Child 44' Flop as 'Ex Machina' Lures Audiences Specialty Box Office: 'True Story' and 'Child 44' Flop as 'Ex Machina' Lures Audiences Tribeca Film Festival Matches George Lucas with Stephen Colbert: “I’m gonna tear you a new one, George" Tribeca Film Festival Matches George Lucas with Stephen Colbert: “I’m gonna tear you a new one, George" 10 Films Booed at Cannes That Every Cinephile Should See 10 Films Booed at Cannes That Every Cinephile Should See 5 Things You Didn't Know About Lars von Trier, Who's Going Back to Work 5 Things You Didn't Know About Lars von Trier, Who's Going Back to Work Time 100 Highlights, from Bradley Cooper to Emma Watson Time 100 Highlights, from Bradley Cooper to Emma Watson The Eerie Connection Between 'Star Wars: The Force Awakens' and 'Tomorrowland' The Eerie Connection Between 'Star Wars: The Force Awakens' and 'Tomorrowland' Digging Into the Cannes Lineup: More Vet Auteurs and Women, No Netflix Digging Into the Cannes Lineup: More Vet Auteurs and Women, No Netflix You Can Now Read Over 200,000 Leaked Sony Emails and Documents You Can Now Read Over 200,000 Leaked Sony Emails and Documents Watch: This Exclusive Tribeca Trailer Promises a Vérité Southern Gothic in Malick Vein Watch: This Exclusive Tribeca Trailer Promises a Vérité Southern Gothic in Malick Vein 7 Things to Learn from 'Mad Men' Creator Matthew Weiner About Compelling Storytelling (EXCLUSIVE VIDEO) 7 Things to Learn from 'Mad Men' Creator Matthew Weiner About Compelling Storytelling (EXCLUSIVE VIDEO)

For Wong Kar-Wai's 'The Grandmaster,' Weinstein Plans Subtitled Wide Release, Oscar Campaign

Photo of Tom Brueggemann By Tom Brueggemann | Thompson on Hollywood August 15, 2013 at 4:29PM

Wong Kar-Wai's "The Grandmaster," now being officially presented by Martin Scorsese, is getting an ambitious release from the Weinstein Company, taking the chance that subtitles won't be a barrier in reaching a wider audience. They have not had much access to high-budget prestige martial arts films since Ang Lee's spectacular success with "Crouching Tiger, Hidden Dragon."
0
"The Grandmaster"
"The Grandmaster"

Wong Kar-Wai's "The Grandmaster," now being officially presented by Martin Scorsese, is getting an ambitious release from the Weinstein Company, taking the chance that subtitles won't be a barrier in reaching a wider audience. Moviegoers have not had much access to high-budget prestige martial arts films since Ang Lee's spectacular 2000 success with "Crouching Tiger, Hidden Dragon."

With all the recent major hits from the Weinstein Company (while French, silent "The Artist" was less foreign), one area that that hasn't quite replicated earlier Miramax success is subtitled films. In its heyday in the 1990s, the company transformed the normally limited market for foreign language pictures, starting with "Cinema Paradiso" in 1990 and then later "Il Postino," which both grossed over $10 million (a rare achievement today, even with higher ticket prices), and prestige successes like "Farewell My Concubine" and Kieslowski's "Three Colors" series. Miramax peaked with Roberto Begnini's multiple Oscar winning "Life Is Beautiful' (which totaled $57 million). 

But these grosses pale next to Sony Pictures Classics' achievement, "Crouching Tiger," which took in a staggering $128 million in 2000-2001 (adjusted would be $185 million at today's prices), which other than the anomaly of Mel Gibson's "The Passion of the Christ," sold more tickets than any subtitled film in U.S. theater history. (Fellini's "La Dolce Vita" sold as many or more tickets than "Crouching," but it played the majority of its runs with a dubbed English soundtrack in the early 1960s.)

"The Grandmaster" also could be competitive in an Oscar area where the Weinsteins under the Miramax label once excelled -- the Foreign Language Film category. But if so, there could be a complication that could up this year with the change in voting rules.

This article is related to: Oscars, The Grandmaster, Wong Kar-wai, The Weinstein Co., Weinsteins, Harvey Weinstein, Weinstein Co.


E-Mail Updates