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Women in Film Expands Outreach with Speed Mentoring; Top Ten Pieces of Advice

Thompson on Hollywood By Sophia Savage | Thompson on Hollywood October 31, 2012 at 3:01PM

"There wasn't one woman, not one woman, that I could look up to and say 'I want to be that woman." Things have changed in the 50 years since producer Marion Rosenberg started in the entertainment industry, said the Women in Film trustee and mentoring co-chair at the organization's inaugural Speed Mentoring session on October 29. She was talking with twenty mentors and twenty mentees, comprised of WIF members who were chosen based on the strength of their proposed questions.
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Speed Mentor Pamela Rodi, President/Creative Director of Rodi Marketing

"There wasn't one woman, not one woman, that I could look up to and say 'I want to be that woman."

Things have changed in the 50 years since producer Marion Rosenberg started in the entertainment industry, said the Women in Film trustee and mentoring co-chair at the organization's inaugural Speed Mentoring session on October 29.  She was talking with twenty mentors and twenty mentees, comprised of WIF members who were chosen based on the strength of their proposed questions.

Back then there were no role models for women who wanted to climb the entertainment industry ladder.  "The fact that we're doing this today and that we have such a powerful mentoring committee is wonderful," said Speed Mentoring creator and WIF trustee Chevonne O'Shaughnessy. "But it took fifty years! We can't let it be another fifty years. I think we're also having this so that we won't have this problem for the next generation."

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Speed Mentor and WIF Board member Chevonne O'Shaughnessy

WIF is also implementing several other mentoring initiatives to serve growth in interest from women (and men) seeking guidance. While they used to pair up mentors and mentees one-on- one, their soon-to-be launched mentoring circles will include two mentors and eight mentees. These groups will meet on a monthly basis to establish supportive and dynamic network for everyone involved.

O'Shaughnessy recalls the positive influence of her own mentor, former MGM president Red Silverstein, when she was first starting out in the industry and "had no idea where to go...He guided me, I wouldn't be where I am today without that."

Here's a sampling of the best advice the mentees got.

1. "Don't take no for an answer, create your own work and distribute it yourself."

2. "You can still make a film for less than $200k, don't let anything discourage you, just get a great script together and make a great film."

3. The sole male participant: "It was a little odd [when I first joined WIF], but they opened their arms to me....from that point on I've never thought twice...as an actor, you're usually just networking with other actors, but here you are networking with execs, VPs, writer, directors, producers,..the support is just phenomenal, and the outreach is across the country."

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Speed Mentor Stephanie Allain, Producer & Director of LAFF

4. "That it's okay to realize that 1. Everything takes time and that 2. It's good to be a hyphenate and to develop different tastes and to work in a bunch of different roles to get to where you want to be, because you might not actually end up where you thought you were going to end up at the beginning, but you'll end up somewhere better. ...this made me calm down a little bit."

5. "Someone told me I should start reading Indiewire."

6. "Stay in the lane that I'm in [web series] because it's so wide open,..there's endless amounts of content needed."

7. "Best advice I got was 'Don't say no to anything.'" But, another woman added, "Maybe just for careers, not for men."

8. "It's almost like a really extended icebreaker, this event. It's wonderful, in an inspirational way. There are women, they are working, they are slogging away, and they are getting results for their efforts. That's a real nice feeling."

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Speed Mentor and actress Sharon Lawrence

9. "As difficult as what I want to do is, which is non-writing exec producing for television, the mentors are still very positive in saying there are ways for me to get there; they've just given me different ways to get there, a better path than just starting off as a non-writing executive producer."

10. "I've asked all of them about how to they've been able to handle the challenges of being a woman in the industry, and they've all had some really good advice far as navigating and getting to the high positions that they've gotten to; it just took them a little longer."
 

Full list of mentors is below:

This article is related to: Women in Film


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Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.