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Women in Film: Journos Pick Top 100

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood June 11, 2007 at 6:46AM

It was Philadelphia Inquirer critic Carrie Rickey's idea. After realizing that the American Film Insititute's nomination ballot for last year's list of 100 best American movies comprised 400 titles, of which 4.5 were directed by women, she suggested that the Alliance of Women Film Journalists, of which she is one of 27 members, vote for their own list of best 100 movies of all time. The AWFJ sent in lists of films to create a ballot of their own, and voted for 100. (As a member, I voted too.) The top 100 list will be announced June 25. I have been leaked five, none of which were on the AFI's list of 400 nominees:
0

MayaderenIt was Philadelphia Inquirer critic Carrie Rickey's idea. After realizing that the American Film Insititute's nomination ballot for last year's list of 100 best American movies comprised 400 titles, of which 4.5 were directed by women, she suggested that the Alliance of Women Film Journalists, of which she is one of 27 members, vote for their own list of best 100 movies of all time. The AWFJ sent in lists of films to create a ballot of their own, and voted for 100. (As a member, I voted too.) The top 100 list will be announced June 25. I have been leaked five, none of which were on the AFI's list of 400 nominees:

Appropriately for a women's list, two of the films are French (the AFI's list is American):
Francois Truffaut's Jules and Jim

Julie Taymor's Frida

Martin Ritt's Norma Rae

Maya Deren's Meshes in the Afternoon

Max Ophuls' the Earrings of Madame De..

All five are visually rich dramatic movies that had a significant impact on film culture. Jules and Jim holds up as one of the great romantic triangles, with the unforgettable Jeanne Moreau at its center. Frida rests on the performances of Salma Hayek and Alfred Molina and Taymor's sophisticated painter's pallette. Sally Field won an Oscar for her role as a working woman who rises up against her bosses. A mesmerizing avant-garde surrealist tone poem shot in Los Angeles in 1943, Meshes in the Afternoon is still sharp and modern. And The Earrings of Madame De...is one of the most fun, erotic, glorious black-and-white romantic movies you'll ever see.

UPDATE: The news release is on the jump.


ALLIANCE OF WOMEN FILM JOURNALISTS announces TOP 100 FILMS LIST

As AFI releases its Tenth Anniversary 100 Greatest Films List, the ALLIANCE OF WOMEN FILM JOURNALISTS launches its first-ever Top 100 Films list on June 25, 2007. Why another list? Consider this: AFI's list began with 400 nominated titles, of which 4.5 were directed women. Even allowing for the reality that film production’s been dominated by men for most of the 20th century, that's a miniscule percentage. And, women like Dorothy Arzner have been directing movies since there were movies to direct.

Is the perspective of women film journalists different from that of a mixed group of film-industry voters? You

be the judge. When AWFJ's members were asked to nominate films, with no mandate or directive beyond choosing films they felt were works for the ages, the group honored a significantly greater number of films made by and/or about women. AWFJ members annotate the list, indicating why each film was selected. For example, Maitland McDonagh applauds "Clueless," that trendy teen spin off of Jane Austen's "Emma," as a "nimble comedy of manners that has brains and heart to match its bubbly good looks," while Carrie Rickey calls Ingrid Bergman's performance in "Notorious" her "most sensual ever" and Eleanor Ringel Gillespie praises Fernanda Montenego in "Central Station" as “a world-class study of bitterness dissuaded, scorn swept away, possibility and optimism stumbled upon after too long an absence.” And, find out which film Susan Wloszczyna says makes "The Devil Wears Prada" look like a knock off."

The launch of AWFJ’s Top 100 Films List is sponsored by The Women's Media Center, New York. Presenters at

the invitation-only luncheon include WMC Director Carol Jenkins and AWFJ member Carrie Rickey, who

initiated the project.

AWFJ, Inc. is a non-profit nationwide organization of 27 professional female movie critics, reporters and

feature writers, working in print, broadcast and online media, who've come together to support work by and

about women, in front of and behind the camera. AWFJ conducts outreach programs, intra-group promotional

activities and presents the annual EDA Awards, in recognition of outstanding accomplishments (both the best

and the worst) by and about women in film.

For further information about the AWFJ Top 100 List, please contact:

Jennifer Merin, AWFJ President

P.O. Box 80, New York, New York 10024

awfj.org

Awfjinc@gmail.com

For details about the Women's Media Center, please contact info@womensmediacenter.com.

[Originally appeared on Variety.com]

This article is related to: Women in Film, Genres, Classics


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.