Click to Skip Ad
Closing in...
Relativity Faces Bankruptcy, Spelling More Disaster for 'Jane Got a Gun' Relativity Faces Bankruptcy, Spelling More Disaster for 'Jane Got a Gun' 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Congrats to Monica Bellucci: She's Making History Congrats to Monica Bellucci: She's Making History Broad Green Dates 'Knight of Cups' and Two More Releases Broad Green Dates 'Knight of Cups' and Two More Releases Watch: The Secret Ingredient to David Lynch's Disorienting Cinema Watch: The Secret Ingredient to David Lynch's Disorienting Cinema First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal Is 'The Revenant' the Most Hellish Shoot of All Time? Is 'The Revenant' the Most Hellish Shoot of All Time? Gabriel García Márquez Documentary Coming Soon (Trailer) Gabriel García Márquez Documentary Coming Soon (Trailer) Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991 Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991

Women In Film's Film Finishing Fund in its 26th Year: Now Accepting Applications

Thompson on Hollywood By Sophia Savage | Thompson on Hollywood March 2, 2011 at 4:58AM

The Women in Film Foundation's Film Finishing Fund is accepting applications now through April 29 for cash grants and production services for films by, for and about women. Founded in 1985, the WIFF FFF has given more than $2 million in cash and in-kind services to some 170 films. For the third year, Netflix is sponsoring the fund and offering distribution consultation in addition to the cash prizes. According to Netflix's Content Acquisition VP Cindy Holand, "WIF is a critical force behind the success of some of Hollywood’s most innovative minds."
0
Thompson on Hollywood


The Women in Film Foundation's Film Finishing Fund is accepting applications now through April 29 for cash grants and production services for films by, for and about women. Founded in 1985, the WIFF FFF has given more than $2 million in cash and in-kind services to some 170 films. For the third year, Netflix is sponsoring the fund and offering distribution consultation in addition to the cash prizes. According to Netflix's Content Acquisition VP Cindy Holand, "WIF is a critical force behind the success of some of Hollywood’s most innovative minds."

See below for eligibility details. More information is available here:

Grant winners have gone on to share their films at festivals throughout the world, from Sundance to Toronto to Berlin, have aired their films nationally on PBS and Showtime, and have won Emmy and Academy Awards. This year's Sundance Audience Award winner, Maryam Keshavarz's Circumstance (pictured), is one of FFF's success stories, as is Cynthia Wade's 2008 Best Documentary Short winner, Freeheld, which was a grant winner in 2007. "Women In Film came in at a critical point," said Wade. "The Film Finishing grant was a vote of confidence—it's lonely as an independent filmmaker. Unless you have the resources, the film is only as effective as the audience you can reach. I'm grateful to have the understanding that women filmmakers need to be supported."

In order to apply for a FFF grant, there are slightly different requirements for documentary and narrative films. A documentary filmmaker must have completed principal photography and a rough cut, while a narrative film maker must have finished 90% of principal photography and a rough cut the time of application.  The program funds filmmakers working in both short and long formats in all genres—narrative, documentary, educational, animated and experimental. Filmmakers do not have to be Women In Film members to apply for the FFF, and we encourage applications from around the world.  Please note that student projects are not eligible to receive Film Finishing Funds.

This article is related to: Directors, Festivals, Genres, Women in Film, Media, Production , Independents, Documentaries


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.