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Oscar Watch: Seeking Consensus

While I admire Kris Tapley's attempt to make some sense out of the blizzard of Oscar predictions out there, I remain convinced that until the prognosticators see Charlie Wilson's War and Sweeney Todd, the two films that many of us got invited to see Monday, none of these lists make much sense. Richard Corliss in Time suggests that "audiences will have a great time watching" Charlie Wilson's War, which seemed to play for Oprah Winfrey's Chicago audience. Oprah raved about Philip Seymour Hoffman's performance, as guests Tom Hanks and Julia Roberts (who tried to get out of shooting a bikini scene while four weeks pregnant) nodded politely. My hunch is that Hoffman won't get nommed for best actor for The Savages or Before the Devil Knows You're Dead, but will get a supporting nom for Charlie Wilson's War.

By Anne Thompson
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November 20, 2007 7:13 AM
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Coens Movie and Sicko Debut; Waiting for Jessica Simpson

Last night's unveiling of No Country for Old Men lived up to all my expectations and more. It's one of the Coen brothers' most assured films, on a par with their Oscar-winning Fargo or Miller's Crossing, with a touch of the southwestern twang of Raising Arizona. The movie, which stars veterans Tommy Lee Jones and Javier Bardem at their best and break-out hunk Josh Brolin, belongs with the Coens' bleaker films, but adds their trademark comic tone to Cormac McCarthy's tragic book. It's a faithful adaptation, a lean and spare cinematic rendering of McCarthy's western of inexorably doomed characters. The movie also touches the zeitgeist as it expresses a loss of innocence in our culture, a turn to the dark side. The ending is heart-tugging. It's going to be hard to beat for the Palme d'Or. Unless Miramax messes up the movie's fall release (it will need delicate handling, although it will earn rave reviews, because it is not overtly commercial), I see a strong Oscar run. (Luckily 42West's Cynthia Swarz is on board.) Here's Variety's review.