This week in his “Now and Then” column, Matt Brennan — inspired by the re-release of Citizen Kane (Orson Welles, 1941) and the upcoming Blu-ray edition of Pulp Fiction (Quentin Tarantino, 1994) — tries to explain how a movie becomes a “classic.” Trailers below:To paraphrase the famous saying, some movies are born great, some achieve greatness, and some have greatness thrust upon them. Citizen Kane and Pulp Fiction fall into the latter category. That they’re stylish, innovative, and spectacularly well made is undeniable. But in the end, claims of their greatness say more about what critics and cinephiles think movies should be than about their intrinsic value. To put it more bluntly, they’re overrated.
- By Matt Brennan
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- September 19, 2011 1:45 AM
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- 11 Comments
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No more megalomania? Yes. But no more courage, inspiration, art, passion or risk. And they suita
Spoil central. I gotta steer clear of this site more often..
Interesting to see Australian Rod Taylor described as "all-American." Maybe there needs to