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Writers Guild's 101 Greatest Screenplays List Starts with Casablanca, Ends with Notorious

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood April 6, 2011 at 8:45AM

As part of its ongoing mission to push forward the oft-overlooked writer in the moviemaking process, the Writers Guild of America has posted its 101 Greatest Screenplays list. I'm not going to argue with the top ten, which are posted below.
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Thompson on Hollywood

As part of its ongoing mission to push forward the oft-overlooked writer in the moviemaking process, the Writers Guild of America has posted its 101 Greatest Screenplays list. I'm not going to argue with the top ten, which are posted below.

But what about the full list? Any major mistakes or omissions?

1. CASABLANCA
Screenplay by Julius J. & Philip G. Epstein and Howard Koch. Based on the play "Everybody Comes to Rick's" by Murray Burnett and Joan Alison

2. THE GODFATHER
Screenplay by Mario Puzo and Francis Ford Coppola. Based on the novel by Mario Puzo

3. CHINATOWN
Written by Robert Towne

4. CITIZEN KANE
Written by Herman Mankiewicz and Orson Welles

5. ALL ABOUT EVE
Screenplay by Joseph L. Mankiewicz. Based on "The Wisdom of Eve," a short story and radio play by Mary Orr

6. ANNIE HALL
Written by Woody Allen and Marshall Brickman

7. SUNSET BLVD.
Written by Charles Brackett & Billy Wilder and D.M. Marshman, Jr.

8. NETWORK
Written by Paddy Chayefsky

9. SOME LIKE IT HOT
Screenplay by Billy Wilder & I.A.L. Diamond. Based on "Fanfare of Love," a German film written by Robert Thoeren and M. Logan

10. THE GODFATHER II
Screenplay by Francis Ford Coppola and Mario Puzo. Based on Mario Puzo's novel "The Godfather"


This article is related to: Lists, Stuck In Love, Genres, Classics, Screenwriters


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.