Click to Skip Ad
Closing in...
How Do You Solve a Problem Like Erika? Universal Hires Husband to Write 'Fifty Shades Darker' How Do You Solve a Problem Like Erika? Universal Hires Husband to Write 'Fifty Shades Darker' 'Age of Ultron' Director Joss Whedon on Self-Doubt and Why It's His 'Rio Bravo' 'Age of Ultron' Director Joss Whedon on Self-Doubt and Why It's His 'Rio Bravo' Watch: Julia Louis-Dreyfus, Tina Fey, Patricia Arquette and Amy Schumer Hilariously Slam Hollywood Sexism (NSFW) Watch: Julia Louis-Dreyfus, Tina Fey, Patricia Arquette and Amy Schumer Hilariously Slam Hollywood Sexism (NSFW) CinemaCon: How Tom Cruise Stole the Paramount Show CinemaCon: How Tom Cruise Stole the Paramount Show Meet the Director of 'Tangerines,' the 2015 Dark Horse Oscar Nominee You Missed (Exclusive Video) Meet the Director of 'Tangerines,' the 2015 Dark Horse Oscar Nominee You Missed (Exclusive Video) LA Film Fest Unveils Horror Slate, More World Premieres, Zoe Cassavetes Film LA Film Fest Unveils Horror Slate, More World Premieres, Zoe Cassavetes Film Cannes: Directors' Fortnight Lines Up Vet Auteurs and American Indies Cannes: Directors' Fortnight Lines Up Vet Auteurs and American Indies Joe Wright's 'Pan' Gets Fall Release Date: Good News or Bad News? Joe Wright's 'Pan' Gets Fall Release Date: Good News or Bad News? Seeing Ryan Gosling's 'Lost River' Through Composer Johnny Jewel's Eyes (STREAM SOUNDTRACK) Seeing Ryan Gosling's 'Lost River' Through Composer Johnny Jewel's Eyes (STREAM SOUNDTRACK) 3 Women Genre Directors Get SF Film Society Fellowships 3 Women Genre Directors Get SF Film Society Fellowships Here's Why Jon Stewart Quit 'The Daily Show' Here's Why Jon Stewart Quit 'The Daily Show' Watch: From Tarantino to Cronenberg, Great Directors Talk the Art and Anxiety of Filmmaking Watch: From Tarantino to Cronenberg, Great Directors Talk the Art and Anxiety of Filmmaking Specialty Box Office: 'True Story' and 'Child 44' Flop as 'Ex Machina' Lures Audiences Specialty Box Office: 'True Story' and 'Child 44' Flop as 'Ex Machina' Lures Audiences Tribeca Film Festival Matches George Lucas with Stephen Colbert: “I’m gonna tear you a new one, George" Tribeca Film Festival Matches George Lucas with Stephen Colbert: “I’m gonna tear you a new one, George" 10 Films Booed at Cannes That Every Cinephile Should See 10 Films Booed at Cannes That Every Cinephile Should See 5 Things You Didn't Know About Lars von Trier, Who's Going Back to Work 5 Things You Didn't Know About Lars von Trier, Who's Going Back to Work The Eerie Connection Between 'Star Wars: The Force Awakens' and 'Tomorrowland' The Eerie Connection Between 'Star Wars: The Force Awakens' and 'Tomorrowland' Digging Into the Cannes Lineup: More Vet Auteurs and Women, No Netflix Digging Into the Cannes Lineup: More Vet Auteurs and Women, No Netflix You Can Now Read Over 200,000 Leaked Sony Emails and Documents You Can Now Read Over 200,000 Leaked Sony Emails and Documents 7 Things to Learn from 'Mad Men' Creator Matthew Weiner About Compelling Storytelling (EXCLUSIVE VIDEO) 7 Things to Learn from 'Mad Men' Creator Matthew Weiner About Compelling Storytelling (EXCLUSIVE VIDEO)

Young David Lynch Talks 'Eraserhead' in 1979 On-Location Video Interview

Thompson on Hollywood By Tom Christie | Thompson on Hollywood July 3, 2013 at 2:29PM

Some painfully bad questions (and hair) from the 23-old me but good answers (and, as always, hair) from the 33-year-old David Lynch. Shot for my television-production class at UCLA in 1979, this interview features archival footage of the oil fields that served as a location for Lynch’s AFI film "Eraserhead" and now lie beneath the Beverly Center.
1
David Lynch, center, during the "Eraserhead" production
David Lynch, center, during the "Eraserhead" production

Some painfully bad questions (and hair) from the 23-old me but good answers (and, as always, hair) from the 33-year-old David Lynch. Shot for my television-production class at UCLA in 1979, this interview features archival footage of the oil fields that served as a location for Lynch’s AFI film "Eraserhead" and now lie beneath the Beverly Center. 

Also seen but alas not heard much from (mea culpa, bad interviewing) is cinematographer Frederick Elmes. I was working at the time for Parallax, now Landmark, Theaters, owners of the Nuart, where Eraserhead was the midnight movie. (The video also includes some funny responses from audience members.) Lynch had been with John Waters earlier on the day of the interview and almost got him to join us. 

"Eraserhead"
"Eraserhead"

David later provided me with a copy of his short film "The Amputee," also shot by Elmes, which we screened following the interview on one TV set outside on the UCLA campus — a world premier. The interview ends on one of the great lines from David Lynch, who said he wasn’t interested in Hollywood stars at the time: “If you’re going into the netherworld, you don’t want to go in with Chuck Heston."

Watch the video interview with Lynch here.

This article is related to: Interviews , Interviews, David Lynch


E-Mail Updates