Cross Post: Dear Hollywood: Hiring Women Directors Could Rescue the Superhero Movie. Love, Half the Human Race

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by Susan Wloszcyna
July 10, 2013 2:00 PM
7 Comments
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* Women don't go to these films anyway.

Take a look around you next time you are at Comic-Con. There are plenty of females who will pay to see these blockbusters -- just ask "Man of Steel"'s blushing female Army captain (who delivers this trenchant observation: "He's kind of hot"), although the beefcake component is just one draw. Besides, 2012 stats on movie-going habits released by the Motion Picture Association of America show females make up 52% of the audience. Don't they deserve to have more of a say in how these movies depict their gender, especially with that extra percentage on their side?

*Women are already contributing creatively offscreen, so who cares if they direct, too.

Not so fast. Superman director Zack Snyder's wife, Deborah, might regularly act as a producer on his films. Producer Laura Ziskin may have had a great deal of influence on the first " Spider-Man" franchise (whose 2002 debut featured probably the most romantic moment ever in a superhero adventure -- the upside-down Spidey kiss). But as movie historian Jeanine Basinger told me last year while discussing the new generation of female action figures in such films such as "The Hunger Games" and "The Girl With the Dragon Tattoo," it is important for women to be directors, because it is the director's vision that ultimately defines what you see onscreen. As she put it, "Letting woman take charge of bringing images to life onscreen will result in more living, breathing models of female behavior."

* Not enough female directors are equipped to handle the complicated special effects required by these blockbusters -- or even know much about the backstories of these characters.

The least-informed excuse of them all. Consider the backgrounds of the male directors who launched all these mega-budget franchises:Bryan Singer ("X-Men"),Sam Raimi (the original "Spider-Man"),Christopher Nolan (" Batman Begins"), Ang Lee ("Hulk"), Jon Favreau ("Iron Man"), Marc Webb (" The Amazing Spider-Man"). They might be big deals now, but they all got their starts in low-budget films. Why is Webb, known for his 2009 Sundance romantic comedy " (500) Days of Summer," any more qualified to direct a comic-book movie than female festival darlings such as Debra Granik, whose gritty " Winter's Bone" from 2010 was nominated for a Best Picture Oscar?

Besides, a boyhood spent reading comics in bed with a flashlight is not required for bringing these stories to the masses. Singer, who made his reputation with the small, smart "The Usual Suspects" in 1995, has always owned up to the fact he had little knowledge of the X-Men comics before directing the first movie in 1999. It certainly didn't hurt his ability to translate Wolverine and company into a big-screen success and turn the title into a durable movie franchise.

One recent hiring gives a glimmer of hope: Sam Taylor-Johnson, who did the well-received 2009 John Lennon bio "Nowhere Boy," is about to call the shots on the much-sweated-over film version of E.L. James' erotic novel "Fifty Shades of Grey," which is to ladies of a certain age what "Twilight" is to tween girls.

When I asked some male colleagues this year why they thought no women had directed a major comic-book film yet, their guess was that female filmmakers did not want to do such films. To that, I cry bull.

I, for one, would love to see what the likes of Sarah Polley,Sofia Coppola,Jane Campion,Kasi Lemmons,Lynne Ramsay,Kimberly Peirce,Courtney Hunt,Phyllida Lloyd,Lone Scherfig and Mary Harron would bring to the superhero table. I bet a few of them would like to get their creative hands on one, too.

And, although "Zero Dark Thirty" was essentially a real-life female superhero film, nothing would blow my mind more than if they gave "Wonder Woman" over to Bigelow, a true superwoman herself.

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Susan Wloszczyna is is a freelance entertainment writer. She was the film reporter at USA Today. You can follow her on Twitter here

Reposted with permission from RogerEbert.com

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7 Comments

  • KR Ward | July 29, 2013 12:18 PMReply

    Mary Harron directing a female superhero movie would be amazing! Considering how she presented Bettie Page correctly as both intelligent and sexy it would be great to see what she could do with Wonder Woman or Batwoman.

  • Eric Truong | July 20, 2013 1:38 AMReply

    I think that an increase in the amount of films directed by women would vastly improve the quality of films coming out of Hollywood. Of the few films I have watched in recent years they seem to lack true emotion and depth. The majority tends to be witless satires or endless explosion of computer generated graphics dominated works. It’s hard to argue against the fact that women are inherently more emotional than men; therefore I believe that they would have a far better ability to convince the audience to feel what is happening on screen. I also think that Super Hero movies are more about the hero in action using his or her powers to defeat their opponents in the never ending battle over good and evil. Emotions are more fitting for dramas, such as Hurt Locker or Monster. Although in my opinion having a woman direct or at least be completely involved in developing Wonder Woman would produce a far more convincing character on screen that could be just as commanding in her own right if ever presented in a Justice League or Trinity film.

  • Gillian | July 17, 2013 2:50 AMReply

    I thought this was a great article that delved into the rare discussion of the marginalization of women in the film industry. Unfortunately, I don’t think a lot of people are aware that women are struggling in the film industry and if it weren’t for my recent Women Studies class, I would have never known either. That being said, I think women bring a creative edge to films that most men lack. Kathryn Bigelow proved this with the film Zero Dark Thirty. She not only appealed to the nations emotions in the film but also crafted an amazing action film. If a man had directed this film, the entire concept and view would have been completely different and probably not as powerful in my eyes.

    One thing that I find somewhat humorous is that these Hollywood blockbusters are supposedly marketed towards men and younger boys who love action films, yet myself, a woman, actually went to this movie and almost the entire theater was packed full of women. Although these male directors think that they are creating a guns-blaring, explosive film, a lot of these so called superhero movies really just reverse the male gaze and offer women a chance to see an overly attractive man who happens to also look good in tights. This is a nice break at least from the overused objectification of women in film industry.

  • Star | July 11, 2013 1:32 AMReply

    "In the nearly-four decades since Christopher Reeve took flight, superhero films have grown into Hollywood's most popular and profitable genre. Sadly, these films continue to be directed by males and marketed to boys of all ages."

    Soooooooo, you say these superhero films are continually directed by and marketed to males, and they have grown into Hollywood's most profitable genre? Yeah, good job undercutting your own argument.

    If it ain't broke...

  • Brenda Chapman | July 10, 2013 7:56 PMReply

    Great article. I just really wish some of the male studio execs who make the "hiring of director" decisions would actually read it! I hope for the best success for those who are working as directors and future success for those who are doing their best to get there!

  • Julian | July 10, 2013 4:05 PMReply

    I think i would take almost any other female director over Hardwick. I support more women directing/writing/having lead roles in blockbusters, but from everything i've seen from hardwick her directing is meh.

  • Donella | July 10, 2013 4:04 PMReply

    I listened to the commentary for Near Dark, directed by Kathryn Bigelow. She had to hurdle plenty of obstacles thrown in front of her by the studio and producers who seemed to go out of their way to make her directorship of the vampire flick harder than it had to be. I just shook my head listening to it. Bigelow earned her Oscar fair and square, proved herself to the world, and inspired many new and veteran female directors to put their heads down and grind through the misogyny, sexism, and good-ole-boy network. Well done!

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