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Guest Post: Filming Elephant Landmine Survivors Walk on Prostheses is No Small Feat

Women and Hollywood By Windy Borman | Women and Hollywood April 24, 2012 at 9:30AM

“The Eyes of Thailand” documentary tells the true story of Soraida Salwala’s quest to help two elephant landmine survivors, Motala and Baby Mosha, walk again on their own four legs by building elephant-sized prosthetics. Narrated by Ashley Judd, the film premieres on April 28, 2012 at the Newport Beach Film Festival. Soraida’s love for elephants began early. When she was 8-years old, Soraida saw an injured elephant lying on the side of the road because a truck hit it. As her family drove past, she asked, If the elephant was hurt, why couldn’t he go to the hospital?
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The Eyes of Thailand

The Eyes of Thailand” documentary tells the true story of Soraida Salwala’s quest to help two elephant landmine survivors, Motala and Baby Mosha, walk again on their own four legs by building elephant-sized prosthetics. Narrated by Ashley Judd, the film premieres on April 28, 2012 at the Newport Beach Film Festival. Soraida’s love for elephants began early. When she was 8-years old, Soraida saw an injured elephant lying on the side of the road because a truck hit it. As her family drove past, she asked, If the elephant was hurt, why couldn’t he go to the hospital?

Not getting an answer she liked, in 1993 Soraida opened the World’s First Asian Elephant Hospital in Lampang, Thailand. Little did she know that her hospital would develop a niche for treating elephant landmine survivors.

By comparison, I did not know I would be an “elephant person” until I met Soraida and two elephant landmine survivors, Motala and Baby Mosha, at her Elephant Hospital in 2007. I was in Thailand filming a theatre company, but one day I stumbled into FAE’s Elephant Hospital with my video camera. Soraida welcomed me, talked with me on camera, and then took me to meet Mosha and Motala. At that point, they had saved their lives, but they did not know if they could help them walk again.

Upon my return home from the two-month trip, I began logging all the footage from FAE’s Elephant Hospital and I started to weep. The elephants were so brave and trusting after humans had mutilated them by planting landmines. I found it unacceptable to live in a world where endangered species, humans—really any sentient being—step on landmines. I knew I would never be able to write a check big enough to solve the problem, but, being a filmmaker, I could make a film about it to start the conversation and inspire people to join the cause.

Over the next three years, “The Eyes of Thailand” documentary began to take shape. In August 2009, Soraida invited me to film the Prostheses Foundation’s attempt to build Mosha and Motala prosthetic limbs. This was a very ambitious undertaking because the Prostheses Foundation didn’t know whether it would be strong enough to hold their weight, and Soraida didn’t know whether the elephants would accept it. In the end, both elephants accepted their artificial legs and I left in August 2009 thinking I had a happy ending to the story.



This article is related to: Women Directors, Documentary, Ashley Judd


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