I would love to say I thought about the style of “The Eyes of Thailand” during production, but I was a run-and-gun one-person band for most of it due to budget constraints. At that point, the film was primarily funded through donations and IndieGoGo campaigns, so I couldn’t afford to fly a DP over with me. Consequently, I directed, produced and filmed “The Eyes of Thailand”, so my role behind the camera literally was “behind the camera”. Nevertheless, in 2009, I hired a local camera operator, Liam Morgan, for two days when the elephants were getting their prostheses because I knew I needed a second camera for coverage. Otherwise, I was wearing all the hats out of necessity.
After we shot the leg-building footage in 2009, I knew we had a strong “quest” story arc, so it was a matter of gathering archival footage and organizing the video footage in a way that best told that story. In 2010, Producer Tim VandeSteeg and Screenwriter Tim O’Brien came on board and it was great to have a team assembled to help tell this amazing story of sacrifice and perseverance.
Filming in a foreign country is always a challenge, but my most harrowing experience was in 2010. In order to film a UXO (Un-exploded Ordinance) Specialist detect and explode a landmine on camera, I had to sign a release that stated the basic release of liability—but I had to give them my blood type, supposedly so if there was an accident, they could give me blood transfusion in the field. The group was leaving without me, so I signed it, grabbed the camera, and went for it. This was one of those experiences that you tell your mom about after you do it.
In 2007, I knew I had stumbled upon a story I couldn’t let go, but witnessing the elephants take their first steps on their prostheses was one of the most amazing experiences of my life. After nearly five years of production, “The Eyes of Thailand” will have its world premiere on April 28, 2012. I cannot wait to share it with the world.