Once upon a time in Hollywood the black list was a very bad thing. If your name was on the black list (that supposedly never existed) you couldn't get a gig in Hollywood. It was a sucky time and should always be remembered and never repeated.
Enter the "new" black list created by Franklin Leonard in 2005 to bring attention to the best unproduced screenplays. Great idea...in theory. But the list has morphed over the years into a typical Hollywood list filled with guys with agents and managers whose films have been picked up by studios. Now lots of the film of the list are even in production (One Day is already done and has a release date and Margin Call will be at Sundance) or about to be in production. Films that have been on previous blacklists include Juno and Lars and the Real Girl and the 2009 list included The Social Network (like Aaron Sorkin ever needed the help) and Cedar Rapids which will premiere at Sundance in January. There was only one woman in the top 10 last year, Ellen Rapoport who wrote Desperados which from what I can tell is not close to being made.
The list has become extremely disappointing because it is another example of the sexism in Hollywood.
Look at the list of the movies. Not only is the top movie on the list about Karl Rove, but the films reek of misogyny. Not only can't a woman get on the list (6 out of 76), but it seems the more you write about hating women, the easier it is to get noticed in Hollywood. The top movie about a woman is about Jackie Kennedy right after the assassination of her husband fighting to save his legacy. Women in service of men. Men can fight aliens and fuck up our economy and do just about anything, but we fight to save the legacies of our dead husbands and kids getting ready for their prom.
What this list shows is that women and women's stories are still not valued by the producers, managers and power that be and that's what we should be talking about.
Here's the description of how the list was created:
THE BLACK LIST was compiled from the suggestions of over 290 film executives, each of whom contributed the names of up to ten of their favorite scripts that were written in, or are somehow uniquely associated with, 2010 and will not be released in theaters during this calendar year. This year, scripts had to receive at least five mentions to be included on THE BLACK LIST. All reasonable effort has been made to confirm the information contained herein. THE BLACK LIST apologizes for all misspellings, misattributions, incorrect representation identification, and questionable 2010 affiliations. It has been said many times, but it’s worth repeating: THE BLACK LIST is not a “best of” list. It is, at best, a “most liked” list. Enjoy. All black everything.
First question: who are those 290 people? How many are women?
So what can we do about this continued dismissal of women writers? Over the last couple of years I have spent a lot of effort highlighting the issues that women directors face. I decide to expand my efforts into more proactive work on women writers and the blacklist inspired me to create "The Pink List." The problem is that I have been so busy (with the Athena Film Festival) that I have not been able to get the work of "The Pink List" off the ground. Here is the gist of how I envision it:
The premise of "The Pink List" is simple. Give more women writers exposure and visibility. Similar to the new Hollywood "black list" [created in 2005 by Franklin Leonard], the "pink list" will ask agents, executives, producers and others to put forward a list of the 10 best scripts written by women that year that have not been produced.
Here are the women written and the scripts about women on the list.
Of the 76 scripts on the list 6 are by women (I apologize if I miss some of the gender neutral names. I tried to look them up. If I get anything wrong send the corrections my way.) PS - There is not a single female written script in the top 10.
The Black List 2010 (Deadline)