By Laura Shamas | Women and Hollywood June 28, 2012 at 12:15PM
What kind of “princess” is better off in the woods than at home? A princess who is more like the archetype of Artemis than of Aphrodite. In three recent films, we’ve seen a shift in the “princess” archetype in popular culture. In the past, the princess, a key character in fairy tales and myths, was depicted in films as a love interest, or even as a prize to be won, such as in Tangled, Enchanted, Shrek, and The Princess Bride, to name a few. The main focus of the princess’ sphere and her agency was in regards to love, relationships and marriage. But in The Hunger Games, Snow White and the Huntsman, and Brave, the heroine-protagonists are not interested in courtship; they have much more pressing problems to solve, and they all involve an exile or escape through a “enchanted” wilderness.
Katniss Everdeen (Jennifer Lawrence), in The Hunger Games, sacrifices her own safe position to replace her sister Primrose (Willow Shields) in The Hunger Games televised competition, and in doing so, she must represent District 12--and fight to save her own life. Although not technically a “princess,” Katniss does represent her region and is “crowned” in a formal ceremony by the end of the film. Her prowess in the woods, especially as an archer, is quickly established in Act One. Her skills in the forest are featured throughout the film, and she owes her eventual success in the Panem contest in large part to her athletic talents which serve her well in the woods.
In Snow White and the Huntsman, Princess Snow White (Kristen Stewart) suffers the death of her mother. Her father, the king, finds a second wife: the malevolent, beauty-seeking succubus Ravenna. After being detained for years in a tower by Ravenna’s brother, the princess escapes into the Dark Forest, followed by the eventual mentorship of the Huntsman (Chris Hemsworth). While in the woods, the Huntsman teaches her a crucial defensive move to use in hand-to-hand combat. Snow White soon realizes that she must avenge her father’s death, and become Queen in order to save the land from Ravenna’s destruction. In Act Three, armored on horseback and leading an attack, we see that Snow White did indeed learn lessons in the forest, especially in her final climactic battle with Ravenna.
In Brave, Princess Merida (Kelly Macdonald), loves to ride, hike and scale sheer, tall cliffs by herself in tenth century Scotland. Her mother Elinor (Emma Thompson) wants her teenaged-daughter to wed, as is traditional. In the Highland Games, Merida bests all of her suitors as an archer; in effect, she wins her own hand in wedlock. When this feat does not end the competition for marriage, Merida revolts; she runs away into the nearby shadowy timberland. She comes across a witch in the woods, and acquires a spell from her to be used on her mother; all Merida knows is that the spell will change her mother somehow. When the Queen is transformed into a bear, Merida must undo this grave error, and spends the rest of the movie trying to do so.
Much as been written already about these three protagonists as “action” or “warrior” princesses. But these “princesses” share something much deeper than that: all three share a tie to the archetype of the goddess Artemis.