This year the awards were given to actors Cristin Milioti ("Once") and Nina Arianda ("Venus in Fur"), directors Diane Paulus ("The Gershwins' Porgy and Bess") and Sarah Benson ("Elective Affinities"), playwrights Katori Hall ("The Mountaintop") and Leslye Headland ("Assistance"), and set designer Heidi Ettinger.
Lifetime achievement awards were given to multiple Tony Award nominee Estelle Parsons, two-time Pulitzer Prize finalist playwright Tina Howe.
Lilly co-founder, award winning writer Marsha Norman had this to say about the event:
This is an opportunity to congratulate and celebrate the contribution made to the American theater by spectacularly talented women -- often not acknowledged by the theatrical community during the end of season awards...our honorees have worked hard to set the standard high for all theater artists, and we feel honored and privileged to acknowledge their significant and profound contributions.
Another co-founder, writer Julia Jordan (the third co-founder is writer Theresa Rebeck) spoke about the continuing ridiculous and sexist conversation that happens related to women having kids as one of the reasons why women are not as successful as their male colleagues.
She paraphrased her comments:
Each year we have done the Lillys someone has been pregnant, giving birth or was literally breastfeeding (on stage.) I was pregnant year one and Sarah Ruhl had just given birth to twins (with a show on Broadway AND another downtown), last year Sarah Benson was a week from her due date. This year we had hoped to have previous winner Amy Herzog, whose play 4000 Miles is playing at Lincoln Center but she has literally just given birth days ago. Never mind all the women who are raising their 3, 4, 5... 17 year olds.
Women work and have children at the same time. That's it.
‘Lilly’ Awards Given to Arianda, Paulus, Hall and More (NY Times)
Third Annual Lilly Awards Recognize Women in Theater (Backstage)
I think her comparison to the music biz is shaky - a film director is much more like a record
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I recently had a producer read over a script, to which he optioned a few days later. The kick was:
It's nice to hear some honesty. The interviewer should ask questions pertainent to the
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