"While it would be incredibly easy to begin by lambasting national publications like Harpers, The Paris Review, The New Republic, New York Review Of Books, Times Literary Supplement, The New Republic and The Nation for their gross (& indecent) neglect of female writers' work, I fear the attention we've already given them has either motivated their editors to disdain the mirrors we've held up to further neglect or encouraged them to actively turn those mirrors into funhouse parodies at costs to women writers as yet untallied. Reason hasn't worked. The devolution among their ranks screams itself increasingly red in the VIDA comparative charts. At this point, the publications with the "most men" simply do not win."
Here are some of the the most fume worthy numbers and some that are working toward a more equal landscape.
Fume Worthy:
Harpers:
Book Reviewers: 28 Male, 3 Female
Authors Reviewed: 54 Male, 11 Female
Bylines: 76 Male, 17 Female
Overall: 158 Male, 31 Female
The Paris Review:
Interviews: 6 Male, 1 Female
Fiction: 10 Male, 5 Female
Poetry: 48 Male, 11 Female
Essays: 6 Male, 1 Female
Overall: 70 Male, 18 Female
The New York Review of Books:
Book Reviewers: 215 Male, 40 Female
Authors Reviewed: 316 Male, 89 Male
Bylines: 121 Male, 36 Female
Overall: 652 Male, 165 Female
Working Towards Gender Parity:
Boston Review:
Book Reviewers: 11 Male, 8 Female
Authors Reviewed: 15 Male, 14 Female
Bylines: 101 Male, 70 Female
Overall: 135 Male, 99 Female
Poetry:
Overall: 207 Male, 166 Female
The Threepenny Review:
Overall: 54 Male, 31 Female
Vida Count 2012: Mic Check, Redux (VIDA)
The Count 2012 (VIDA)
Bigelow's 80s movies were all indie films--THE LOVELESS (Pioneer films), NEAR DARK (DEG) and
Yes, and that trend for women buying more tickets continues in the 2012 report.
MPAA Theatrical Market Statistics 2012 - can be found if you Google the title. I can't post
I think her comparison to the music biz is shaky - a film director is much more like a record
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