I work in script development in the UK, and am increasingly frustrated, infuriated and worried by the portrayal - or lack thereof - of women in film and TV.
Readers of this site are all too aware that the female half of the human race is perpetually presented in limited - and limiting - roles; in a sexualized, trivialized, passive and often unrecognizable manner. Or just written out of history - or the story - altogether; our experiences denied value. We know that this is a global problem, and an unquestionably damaging one at that. And we know how it has a very real impact on the way women and girls are perceived, and our subsequent status in the real world, and that this affects all of us - women, men, girls and boys - and our relationships.
Key to the problem is whose stories get to be told. The statistics remain pretty much the same, year in, year out. In 2012, on the top 250 domestic grossing films in the US, women comprised 9% of directors, and 18% of all directors, executive producers, producers, writers, cinematographers and editors – the latter statistic representing no change from 2011 and an increase of 1 percentage point from 1998 (factoids) We may know this. It bears repeating.
Melissa's trip to London felt both timely and necessary - coinciding with this article: Sorry, Girls: It will take about 700 years for women to be equal to men in Hollywood films. Reading this, it would be understandable to give up at this point. It is tiring to have to constantly face and fight this - and, sometimes, overwhelmingly depressing. But fight we must. And who better to lead the charge... Cue then, the impassioned Melissa, with three events to refuel the fire:
There is a definite appetite here - a desire for change. The industry has become predictable, safe and ultimately boring. The same old stories are regurgitated, when there are so many more interesting ones that are left untold. This is a travesty.
This sexism is seemingly now just accepted - because it was ever thus, because people don't see the inherent problem. And because we're sick of pointing it out, and tired of feeling like the lone voice. Last week's Women and Hollywood events felt powerful. As a gender, we have a collective power we possibly don’t always realize.
We can send huge message by supporting women-centric films pushing forward with our own projects and staying away from films which belittle, alienate, offend, mock or airbrush us out of existence. Women buy HALF of movie tickets sold and this is something the industry needs to remember.
Thanks again to Melissa, for coming to London, setting the wheels in motion and reigniting that fire. The work of Women and Hollywood is greatly appreciated. Sometimes we need to be reminded that it is in all of us to effect change. Crucial to this is knowing that other people feel the same way.
Thanks too for reminding us that:
If you are based in London (or other parts of the UK), and would be interested in future gatherings, I would love to hear from you. You can email me here: firstname.lastname@example.org
Hannah Billingham is a London-based script editor and developer. Projects include Arto Halonen's Finnish biopic, PRINCESS (2010), which was a domestic box office smash. She is co-founder of In Development, a network for professionals developing film and television drama and comedy. www.hannahbillingham.com.
Photos thanks to Jeremiah Quinn http://www.linkedin.com/pub/jeremiah-quinn/28/805/78a